tag:blogger.com,1999:blog-43504725329527295772024-03-05T08:45:03.960-08:00GALERIA LUIS SERPA PROJECTOSGALERIA LUÍS SERPA PROJECTOShttp://www.blogger.com/profile/15270932187541643704noreply@blogger.comBlogger30125tag:blogger.com,1999:blog-4350472532952729577.post-10145895151721715432014-11-11T09:47:00.006-08:002014-11-14T09:46:14.442-08:00ANDRÉ SIER: Skate.Exe 20 Novembro November - 31 Dezembro December 2014<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVRyuw8-APJ_scNwWda-ld-63hPoUoZ6SR89BsJOrNE4vrtyAv3vR6hMYaxEzgqMPhRe7dHjWbitnN4vvaboboWqzq0JpfLrhyphenhyphenqJGSCzh0ixhkWfVQbtEepErL2n3Y-DO5rVc4LNhGWSg/s1600/imagem+andr%C3%A9+sier.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVRyuw8-APJ_scNwWda-ld-63hPoUoZ6SR89BsJOrNE4vrtyAv3vR6hMYaxEzgqMPhRe7dHjWbitnN4vvaboboWqzq0JpfLrhyphenhyphenqJGSCzh0ixhkWfVQbtEepErL2n3Y-DO5rVc4LNhGWSg/s400/imagem+andr%C3%A9+sier.png" width="400" /></a></div>
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<span style="font-family: Trebuchet MS, sans-serif;"><b style="color: #222222;">ANDRÉ SIER: Skate.Exe</b><span style="color: #222222;"><br /></span><span style="color: #222222;">20 Novembro</span><span style="color: #222222;"> </span><span style="color: #999999;">Novem</span><span style="color: #7f7f7f;">ber</span><span style="color: #222222;"> - 31</span><span style="color: #222222;"> Dezembro</span><span style="color: #222222;"> </span><span style="color: #999999;">Decem</span><span style="color: #999999;">ber </span><span style="color: #222222;">2014 Inauguração</span><span style="color: #222222;"> </span><span style="color: #7f7f7f;">Opening</span><span style="color: #222222;"> | 20</span><span style="color: #222222;"> Novembro </span><span style="color: #999999;">Novem</span><span style="color: #7f7f7f;">ber</span><span style="color: #222222;"> </span><span style="color: #222222;">2014 | Quinta-feira</span><span style="color: #222222;"> </span><span style="color: #7f7f7f;">Thursday</span><span style="color: #222222;"> | 18h00 > 21h00<o:p></o:p></span></span></div>
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<b><span style="font-family: Trebuchet MS, sans-serif; font-size: 10pt; text-transform: uppercase;">GALERIA LUÍS SERPA PROJECTOS (LISBOA)<o:p></o:p></span></b></div>
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<b><span style="font-family: Trebuchet MS, sans-serif;">Patinar até à Lua</span></b></div>
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<span style="font-family: Trebuchet MS, sans-serif; line-height: 18.2000007629395px;">Eu nunca tinha pensado que rolar em cima de um skate é ser transportado para uma outra dimensão do movimento, tal como sonhar em cima dum tapete voador, ou cair de paraquedas, ou saltar para uma piscina, ou sentir pela primeira vez a descolagem de um avião, ou passar pela primeira vez a velocidade de 200Km/h num automóvel, ou perder gravidade fora da órbita terrestre. Esta multiplicidade de experiências sensoriais aceleradas num mesmo espaço-tempo incrementa a nossa apreensão física e mental do meio onde vivemos.</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">António <b>Cerveira Pinto</b></span></div>
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<span style="line-height: 18.2000007629395px;"><span style="font-family: Trebuchet MS, sans-serif;">Apenas o praticante de skate tem no seu corpo a experiência, vedada mas vislumbrada pelos meros observadores. O acto de desbravar movimentos, a experiência de deslizar nas linhas de velocidade propiciadas pela prancha com rodas, a destreza dos movimentos do corpo acompanhados pela prancha que se equilibram nas fronteiras da física e desvelam rampa atrás de rampa de intensificação de dinâmicas está vedada ao caminhante e apresenta-se ao skater como um longo trajecto iniciático de aprendizagem e de habitação da terra das forças desmesuradas, indicando e apontando um transe apoteótico distante onde tudo percola e onde tudo flui.</span></span></div>
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<span style="font-family: Trebuchet MS, sans-serif; line-height: 18.2000007629395px;">A série de peças Skate.Exe dentro do imaginário de Pianta del Mondo cavalga como um rio rasgando o seu leito, um programa executável emitindo instruções de código irrepetíveis que vibram os circuitos da máquina, apropriando-se de glitches e enaltecendo-os, glitches que fundem os planos real e virtual e apontam voltas estranhas estéticas, rampas e diferenciações de elevações, terrenos propícios ao arrojo do skater no redelinear das fronteiras da física.</span></div>
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<span style="font-family: Trebuchet MS, sans-serif; line-height: 18.2000007629395px;">André <b>Sier </b></span></div>
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<span style="font-family: 'Trebuchet MS', sans-serif;"><span style="font-size: 10pt;">INFORMAÇÕES ÚTEIS </span><span style="color: #666666; font-size: 10pt;">USEFUL INFORMATIONS</span><span style="font-family: Arial, sans-serif; font-size: 6pt;"><o:p></o:p></span></span></div>
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<span style="font-family: 'Trebuchet MS', sans-serif;"><span style="font-size: 10pt;">HORÁRIO </span><span style="color: #666666; font-size: 10pt;">HOURS</span><span style="font-family: Arial, sans-serif; font-size: 6pt;"><o:p></o:p></span></span></div>
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<span style="font-family: 'Trebuchet MS', sans-serif;"><span style="font-size: 10pt;">Das 15h00 às 19h00, excepto Sábados, Domingos e Feriados</span><span style="font-family: Arial, sans-serif; font-size: 6pt;"><o:p></o:p></span></span></div>
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<span style="font-family: 'Trebuchet MS', sans-serif;"><span lang="EN-US" style="color: #7f7f7f; font-size: 10pt;">From 3 to 7 p.m., except Saturday, Sunday and Holidays</span><span lang="EN-US" style="font-family: Arial, sans-serif; font-size: 6pt;"><o:p></o:p></span></span></div>
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<span style="font-family: 'Trebuchet MS', sans-serif;"><span style="font-size: 10pt;">TRANSPORTES</span><span style="font-size: 10pt;"> </span><span style="color: #7f7f7f; font-size: 10pt;">TRANSPORTS</span><span style="font-family: Arial, sans-serif; font-size: 6pt;"><o:p></o:p></span></span></div>
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<span style="font-family: 'Trebuchet MS', sans-serif;"><span style="font-size: 10pt;">Autocarro</span><span style="font-size: 10pt;"> </span><span style="color: #7f7f7f; font-size: 10pt;">Bus</span><span style="font-family: Arial, sans-serif; font-size: 6pt;"><o:p></o:p></span></span></div>
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<span style="font-family: 'Trebuchet MS', sans-serif;"><span style="font-size: 10pt;">Rato > 706, 709, 720, 727, 738, 758 e 773.</span><span style="font-family: Arial, sans-serif; font-size: 6pt;"><o:p></o:p></span></span></div>
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<span style="font-family: 'Trebuchet MS', sans-serif;"><span style="font-size: 10pt;">Rua da Escola Politécnica > 758 e 773.</span><span style="font-family: Arial, sans-serif; font-size: 6pt;"><o:p></o:p></span></span></div>
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<span style="font-family: 'Trebuchet MS', sans-serif;"><span style="font-size: 10pt;">Metro </span><span style="color: #666666; font-size: 10pt;">Subway</span><span style="font-size: 10pt;">: Rato [estação terminal] Linha Amarela.</span><span style="font-family: Arial, sans-serif; font-size: 6pt;"><o:p></o:p></span></span></div>
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<span style="font-family: 'Trebuchet MS', sans-serif;"><span style="font-size: 10pt;">PARQUE ESTACIONAMENTO</span><span style="font-size: 10pt;"> </span><span style="color: #7f7f7f; font-size: 10pt;">PARKING</span><span style="font-family: Arial, sans-serif; font-size: 6pt;"><o:p></o:p></span></span></div>
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<span style="font-family: 'Trebuchet MS', sans-serif;"><span style="font-size: 10pt;">Entrada pela Rua da Escola Politécnica, nº 231.</span><span style="font-family: Arial, sans-serif; font-size: 6pt;"><o:p></o:p></span></span></div>
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<span style="font-family: 'Trebuchet MS', sans-serif;"><span style="font-size: 10pt;">Saída pela Rua Tenente Raul Cascais.</span><span style="font-family: Arial, sans-serif; font-size: 6pt;"><o:p></o:p></span></span></div>
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<span style="font-family: 'Trebuchet MS', sans-serif;"><span style="font-size: 10pt;">Horário: Aberto 2ª, 07h30 > 22h00 </span><span style="font-size: 10pt;">|</span><span style="font-size: 10pt;"> 3ª a 6ª, 07h30 > 02h00 | Sábados e Domingos, 11h00 > 02h00.</span><span style="font-family: Arial, sans-serif; font-size: 6pt;"><o:p></o:p></span></span></div>
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<span style="font-family: 'Trebuchet MS', sans-serif;"><span style="font-size: 10pt;">LOCAL </span><span style="color: #666666; font-size: 10pt;">VENUE</span><span style="font-family: Arial, sans-serif; font-size: 6pt;"><o:p></o:p></span></span></div>
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<span style="font-family: 'Trebuchet MS', sans-serif;"><span style="font-size: 10pt;">GALERIA LUÍS SERPA PROJECTOS</span><span style="font-family: Arial, sans-serif; font-size: 6pt;"><o:p></o:p></span></span></div>
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<span style="font-family: 'Trebuchet MS', sans-serif;"><span style="font-size: 10pt;">Rua Tenente Raul Cascais, 1B, 1250-268 Lisboa, Portugal</span><span style="font-family: Arial, sans-serif; font-size: 6pt;"><o:p></o:p></span></span></div>
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<span style="font-family: 'Trebuchet MS', sans-serif;"><span style="font-size: 10pt;">Tel.: </span><u><span style="color: #1155cc; font-size: 10pt;"><a href="tel:%5B%2B351%5D%20213%20960%20548" style="color: #888888; text-decoration: none;" target="_blank"><span style="color: #1155cc; text-decoration: none;">[+351] 213 960 548</span></a></span></u><span style="font-family: Arial, sans-serif; font-size: 6pt;"><o:p></o:p></span></span></div>
<span style="color: #222222; font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;">Tlm.: </span><u style="background-color: white; color: #222222; font-family: 'Trebuchet MS', sans-serif; font-size: 13px; line-height: 18.2000007629395px; text-align: justify;"><span style="color: #1155cc; font-size: 10pt;"><a href="tel:%5B%2B351%5D%20964%20028%20807" style="color: #888888; text-decoration: none;" target="_blank"><span style="color: #1155cc; text-decoration: none;">[+351] 964 028 807</span></a></span></u>Anonymoushttp://www.blogger.com/profile/03781256807379833666noreply@blogger.comtag:blogger.com,1999:blog-4350472532952729577.post-73530842425922326542014-10-20T10:19:00.000-07:002014-11-04T07:50:30.558-08:00GONÇALO PENA: Abertura - em torno de um glaciar 16 Outubro October - 13 Novembro November 2014<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8NOiupElR7_-R-yxJz9zH32nZgvV1IYbdWOTHKuTL5H1-1zBA3QuBRyo1da2wKgywhExZahKJzuHlLvDQUCh852LwnnXGDbwi2ptFc55ZIa8Rnjai48TBuRw-ibRB2hKgE23wPodzYhM/s1600/Imagem+gon%C3%A7alo+pena.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8NOiupElR7_-R-yxJz9zH32nZgvV1IYbdWOTHKuTL5H1-1zBA3QuBRyo1da2wKgywhExZahKJzuHlLvDQUCh852LwnnXGDbwi2ptFc55ZIa8Rnjai48TBuRw-ibRB2hKgE23wPodzYhM/s1600/Imagem+gon%C3%A7alo+pena.jpg" height="400" width="295" /></a></div>
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<span style="font-family: Trebuchet MS, sans-serif;"><b><span style="font-size: 10pt;">GONÇALO PENA: Abertura - em torno de um
glaciar</span></b><span style="color: #222222; font-family: "Arial","sans-serif"; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><br />
</span><span style="font-size: 10pt;">16 Outubro</span><span style="color: #222222; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"> </span><span style="color: #7f7f7f; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">October</span><span style="color: #222222; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"> - 13</span><span style="font-size: 10pt;"> Novembro</span><span style="color: #222222; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"> </span><span style="color: #999999; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">November </span><span style="font-size: 10pt;">2014Inauguração</span><span style="color: #222222; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"> </span><span style="color: #7f7f7f; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">Opening</span><span style="font-size: 10pt;"> | </span><span style="color: #222222; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">16 Outubro </span><span style="color: #7f7f7f; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">October</span><span style="font-size: 10pt;"> </span><span style="color: #7f7f7f; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"> </span><span style="font-size: 10pt;">2014 | Quinta-feira</span><span style="color: #222222; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"> </span><span style="color: #7f7f7f; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">Thursday</span><span style="font-size: 10pt;"> | 18h00 > 21h00 <o:p></o:p></span></span></div>
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<b><span style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt; text-transform: uppercase;">GALERIA LUÍS
SERPA PROJECTOS (LISBOA)<o:p></o:p></span></b></div>
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<span style="font-family: Trebuchet MS, sans-serif;"><span lang="EN-GB" style="color: #222222; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">In our culture,
the decisive political conflict, which governs every other conflict, is that
between the animality and the humanity of man. </span><span style="color: #222222; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">That is to
say, in its western politics is also biopolitics. – in The Open [¶17
Anthropogenesis], Giorgio Agamben<i>Abstract</i>Esta série de pinturas de
Gonçalo Pena é o resultado de uma viagem filosófica ao pós-humano, ou seja, aos
contornos pensáveis e, no caso de uma exposição figurativa, imaginários da
dupla materialidade que antecede e procede o homem e a sua máquina de representações
lógicas, picturais e de acções históricas, isto é, à «ancestralidade» de que
tanto escrevem os novos filósofos do «realismo especulativo», mas também à
posteridade do humano, intuitiva, postulável – segundo lógicas, geometrias e
cálculos variados -, mas cuja antevisão é irrelevante para nós, pois nela já
não viverá, nem pensará, o humano. E mesmo que outras consciências,
extraterrestres, possam eventualmente existir, terão uma dificuldade extrema em
perceber os restos que deixarmos impressos na poeira dos tempos.Que melhor
decisão, pois, para tamanho empreendimento, da parte de um artista, do que
dirigir-se aos glaciares da Noruega com o livro <i>Aperto</i>, de Giorgio
Agamben, na mochila?Os cartões de Gonçalo Pena em exposição testemunham, assim,
uma viagem «naturalista», «onírica» e «imaginária» ao cerne das preocupações
filosóficas, estéticas e políticas da nova ameaça que pende sobre todos nós: a
certeza de uma próxima metamorfose do humano cuja configuração pós-traumática
desconhecemos, como sempre.António Cerveira PintoCarcavelos, 26 de Novembro
2014, 12:01<o:p></o:p></span></span></div>
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<span lang="EN-US" style="color: #7f7f7f; font-family: Trebuchet MS, sans-serif; font-size: 10.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">»» ENGLISH »»<o:p></o:p></span></div>
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<span style="font-family: Trebuchet MS, sans-serif;"><span lang="EN-US" style="color: #222222; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">In our culture,
the decisive political conflict, which governs every other conflict, is that
between the animality and the humanity of man. </span><span lang="EN-GB" style="color: #222222; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">That is to say, in its western politics is also
biopolitics.</span><span lang="EN-US" style="color: #222222; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"> </span><span lang="EN-GB" style="color: #222222; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">– in The Open
[¶17 Anthropogenesis], Giorgio Agamben</span><span lang="EN-US" style="color: #222222; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">Abstract</span><span lang="EN-GB" style="color: #222222; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-GB; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">These new
paintings by Gonçalo Pena are the result of a philosophical journey into the
post-human, that is, towards the thinkable and imaginary (this is a figurative
art exhibition) hedges of a double materiality. The one that precedes for ages
mankind and its logical and pictorial representations, as well as its
historical actions, which the young philosophers of speculative realism call
the «ancestral time». And the one time after the humans have long been extinct.
A time forward about which we can have a vague intuition, or even design some
hypothesis and postulate some mathematical and physics predictions, but that in
the end will have neither meaning or substance to us as a species, meaning a
temporary form of life. Even if extraterrestrials would find our remains
dispersed in the outer space they will probably not figure out any conceptual
framework of such dust and incomprehensible drawings.What better decision on
the part of the artist than to address the glaciers of Norway with the
book <i>Aperto</i>, by Giorgio Agamben, in his backpack?António Cerveira
PintoCarcavelos, 26 November 2014, 12:01</span><span lang="EN-US" style="color: #222222; font-family: "Arial","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><o:p></o:p></span></span></div>
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<span style="font-family: Trebuchet MS, sans-serif;"><span style="font-size: 10pt;">INFORMAÇÕES
ÚTEIS </span><span style="color: #666666; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">USEFUL INFORMATIONS</span><span style="color: #222222; font-family: "Arial","sans-serif"; font-size: 6.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><o:p></o:p></span></span></div>
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<span style="font-family: Trebuchet MS, sans-serif;"><span style="font-size: 10pt;">HORÁRIO </span><span style="color: #666666; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">HOURS</span><span style="color: #222222; font-family: "Arial","sans-serif"; font-size: 6.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><o:p></o:p></span></span></div>
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<span style="font-family: Trebuchet MS, sans-serif;"><span style="font-size: 10pt;">Das 15h00 às
19h00, excepto Sábados, Domingos e Feriados</span><span style="color: #222222; font-family: "Arial","sans-serif"; font-size: 6.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><o:p></o:p></span></span></div>
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<span style="font-family: Trebuchet MS, sans-serif;"><span lang="EN-US" style="color: #7f7f7f; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">From 3 to 7 p.m., except Saturday, Sunday and Holidays</span><span lang="EN-US" style="color: #222222; font-family: "Arial","sans-serif"; font-size: 6.0pt; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><o:p></o:p></span></span></div>
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<span style="font-family: Trebuchet MS, sans-serif;"><span style="font-size: 10pt;">TRANSPORTES</span><span style="color: #222222; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"> </span><span style="color: #7f7f7f; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">TRANSPORTS</span><span style="color: #222222; font-family: "Arial","sans-serif"; font-size: 6.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><o:p></o:p></span></span></div>
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<span style="font-family: Trebuchet MS, sans-serif;"><span style="font-size: 10pt;">Autocarro</span><span style="color: #222222; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"> </span><span style="color: #7f7f7f; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">Bus</span><span style="color: #222222; font-family: "Arial","sans-serif"; font-size: 6.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><o:p></o:p></span></span></div>
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<span style="font-family: Trebuchet MS, sans-serif;"><span style="font-size: 10pt;">Rato > 706,
709, 720, 727, 738, 758 e 773.</span><span style="color: #222222; font-family: "Arial","sans-serif"; font-size: 6.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><o:p></o:p></span></span></div>
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<span style="font-family: Trebuchet MS, sans-serif;"><span style="font-size: 10pt;">Rua da Escola
Politécnica > 758 e 773.</span><span style="color: #222222; font-family: "Arial","sans-serif"; font-size: 6.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><o:p></o:p></span></span></div>
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<span style="font-family: Trebuchet MS, sans-serif;"><span style="font-size: 10pt;">Metro </span><span style="color: #666666; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">Subway</span><span style="font-size: 10pt;">: Rato [estação terminal] Linha Amarela.</span><span style="color: #222222; font-family: "Arial","sans-serif"; font-size: 6.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><o:p></o:p></span></span></div>
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<span style="font-family: Trebuchet MS, sans-serif;"><span style="font-size: 10pt;">PARQUE
ESTACIONAMENTO</span><span style="color: #222222; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"> </span><span style="color: #7f7f7f; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">PARKING</span><span style="color: #222222; font-family: "Arial","sans-serif"; font-size: 6.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><o:p></o:p></span></span></div>
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<span style="font-family: Trebuchet MS, sans-serif;"><span style="font-size: 10pt;">Entrada pela
Rua da Escola Politécnica, nº 231.</span><span style="color: #222222; font-family: "Arial","sans-serif"; font-size: 6.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><o:p></o:p></span></span></div>
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<span style="font-family: Trebuchet MS, sans-serif;"><span style="font-size: 10pt;">Saída pela Rua
Tenente Raul Cascais.</span><span style="color: #222222; font-family: "Arial","sans-serif"; font-size: 6.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><o:p></o:p></span></span></div>
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<span style="font-family: Trebuchet MS, sans-serif;"><span style="font-size: 10pt;">Horário: Aberto
2ª, 07h30 > 22h00 </span><span style="color: #222222; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">|</span><span style="font-size: 10pt;"> 3ª a 6ª, 07h30 > 02h00 | Sábados e Domingos, 11h00 > 02h00.</span><span style="color: #222222; font-family: "Arial","sans-serif"; font-size: 6.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><o:p></o:p></span></span></div>
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<span style="font-family: Trebuchet MS, sans-serif;"><span style="font-size: 10pt;">LOCAL </span><span style="color: #666666; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">VENUE</span><span style="color: #222222; font-family: "Arial","sans-serif"; font-size: 6.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><o:p></o:p></span></span></div>
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<span style="font-family: Trebuchet MS, sans-serif;"><span style="font-size: 10pt;">GALERIA LUÍS
SERPA PROJECTOS</span><span style="color: #222222; font-family: "Arial","sans-serif"; font-size: 6.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><o:p></o:p></span></span></div>
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<span style="font-family: Trebuchet MS, sans-serif;"><span style="font-size: 10pt;">Rua Tenente
Raul Cascais, 1B, 1250-268 Lisboa, Portugal</span><span style="color: #222222; font-family: "Arial","sans-serif"; font-size: 6.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><o:p></o:p></span></span></div>
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<span style="font-family: Trebuchet MS, sans-serif;"><span style="color: #222222; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">Tel.: </span><u><span style="color: #1155cc; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><a href="tel:%5B%2B351%5D%20213%20960%20548" target="_blank"><span style="color: #1155cc; mso-bidi-font-size: 11.0pt; text-decoration: none; text-underline: none;">[+351] 213 960 548</span></a></span></u><span style="color: #222222; font-family: "Arial","sans-serif"; font-size: 6.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><o:p></o:p></span></span></div>
<span style="color: #222222; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">Tlm.: </span><u style="background-color: white; font-family: 'Trebuchet MS', sans-serif; text-align: justify;"><span style="color: #1155cc; font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><a href="tel:%5B%2B351%5D%20964%20028%20807" target="_blank"><span style="color: #1155cc; mso-bidi-font-size: 11.0pt; text-decoration: none; text-underline: none;">[+351] 964 028 807</span></a></span></u></div>
Anonymoushttp://www.blogger.com/profile/03781256807379833666noreply@blogger.comtag:blogger.com,1999:blog-4350472532952729577.post-61927585218906389872014-09-22T08:05:00.003-07:002014-09-22T08:07:29.074-07:00FINISSAGE&TALK | Bairro das Artes | 18 Setembro 19h00 < 23h00 <br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIb63MAFRkjeKmqphsN468yZoj3eM6SfIjdhlkveZ50to1p7YiDZWOpzMiTzr3PA7740Nv-mXwZOom8wZiLdJ7oIhVVynzCoKnvgHIWx6ntebdetTg9zqtSwHe2yHwCjDnFaoGgncxq78/s1600/TALK+%235.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIb63MAFRkjeKmqphsN468yZoj3eM6SfIjdhlkveZ50to1p7YiDZWOpzMiTzr3PA7740Nv-mXwZOom8wZiLdJ7oIhVVynzCoKnvgHIWx6ntebdetTg9zqtSwHe2yHwCjDnFaoGgncxq78/s1600/TALK+%235.jpg" height="225" width="400" /></a></div>
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<span style="font-size: large;"><b><span style="font-family: 'Trebuchet MS', sans-serif;">TALK #5 </span></b><span style="font-family: 'Trebuchet MS', sans-serif;">AROUND THE TABLE</span><b><span style="font-family: 'Trebuchet MS', sans-serif;"><u></u><u></u></span></b></span></div>
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<span style="font-family: Calibri, sans-serif;"><span style="font-size: large;">SEGUIDA DE UMA PROVA DE VINHOS</span><span style="font-size: 31pt;"><u></u><u></u></span></span></div>
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<b><span style="font-family: 'Trebuchet MS', sans-serif; font-size: 11pt;">ORADORES CONVIDADOS:</span></b><b><span style="font-family: 'Trebuchet MS', sans-serif; font-size: 11pt;"><u></u><u></u></span></b></div>
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<span style="color: #1f497d; font-family: 'Trebuchet MS', sans-serif; font-size: 11pt;"><u></u> </span><b style="font-size: 12pt;"><span style="font-family: 'Trebuchet MS', sans-serif; font-size: 11pt;">ADELAIDE GINGA</span></b><span style="font-family: 'Trebuchet MS', sans-serif; font-size: 11pt;">: "A Pintura Impressionista e o século XIX"; </span></div>
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<b style="font-size: 12pt;"><span style="font-family: 'Trebuchet MS', sans-serif; font-size: 11pt;">JOSÉ BRAGANÇA DE MIRANDA</span></b><span style="font-family: 'Trebuchet MS', sans-serif; font-size: 11pt;">: "Autoria e Produção Multimédia"; </span></div>
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<b style="font-size: 12pt;"><span style="font-family: 'Trebuchet MS', sans-serif; font-size: 11pt;">CLAUDIA GIANETTI</span></b><span style="font-family: 'Trebuchet MS', sans-serif; font-size: 11pt;">: "Estética na Era Digital";</span></div>
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<b style="font-size: 12pt;"><span style="font-family: 'Trebuchet MS', sans-serif; font-size: 11pt;">ANTÓNIO CERVEIRA PINTO</span></b><span style="font-family: 'Trebuchet MS', sans-serif; font-size: 11pt;">: "Glitch Art: erro e descoberta na era digital"<span style="color: #1f497d;">.</span></span></div>
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<span style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;">Esta iniciativa está incluída no Bairro da Artes, evento que aproxima as actividades</span></div>
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<span style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;">culturais do Príncipe Real. Depois da TALK [19h00>21h00], teremos uma prova de</span></div>
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<span style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;">vinhos [21h00>23h00] onde comemoramos a</span><span style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;"> </span><i style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;">finissage</i><span style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;"> </span><span style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;">da exposição de Rui Martins.</span></div>
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<span style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;">“Feathers Always Make People Attractive”.</span></div>
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<b><span lang="EN-US" style="color: #7f7f7f; font-family: 'Trebuchet MS', sans-serif; font-size: 11pt;">GUEST SPEAKERS:</span></b><span style="color: #7f7f7f; font-family: Calibri, sans-serif; font-size: 11pt;"> </span></div>
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<b style="font-size: 12pt;"><span style="color: #7f7f7f; font-family: 'Trebuchet MS', sans-serif; font-size: 11pt;">JOSÉ BRAGANÇA DE MIRANDA</span></b><span style="color: #7f7f7f; font-family: 'Trebuchet MS', sans-serif; font-size: 11pt;">: "Authoring and Multimedia Production" ; </span></div>
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<b style="font-size: 12pt;"><span style="color: #7f7f7f; font-family: 'Trebuchet MS', sans-serif; font-size: 11pt;">CLAUDIA GIANETTI</span></b><span style="color: #7f7f7f; font-family: 'Trebuchet MS', sans-serif; font-size: 11pt;">: "Aesthetics in the Digital Age";</span></div>
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<b style="font-size: 12pt;"><span style="color: #7f7f7f; font-family: 'Trebuchet MS', sans-serif; font-size: 11pt;">ANTÓNIO CERVEIRA PINTO</span></b><span style="color: #7f7f7f; font-family: 'Trebuchet MS', sans-serif; font-size: 11pt;">: "Glitch Art: error and discovery in the digital age" </span></div>
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<span lang="EN-US" style="color: #7f7f7f; font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;">This initiative is included in Bairro das Artes, an event that brings together all the<u></u><u></u></span></div>
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<span lang="EN-US" style="color: #7f7f7f; font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;">cultural activities at Príncipe Real District. The TALK [19h00>21h00] is followed by a </span></div>
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<span lang="EN-US" style="color: #7f7f7f; font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;">wine taste<u> </u></span><span style="color: #7f7f7f; font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;">[21h00>23h00] where we will celebrate the finissage of Rui Martins’s </span></div>
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<span style="color: #7f7f7f; font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;">exhibition </span><span style="color: #7f7f7f; font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;">“Feathers Always Make People Attractive”.</span></div>
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Anonymoushttp://www.blogger.com/profile/03781256807379833666noreply@blogger.comtag:blogger.com,1999:blog-4350472532952729577.post-53566936222389055982014-06-30T10:44:00.004-07:002014-09-22T07:50:16.488-07:00 RUI MARTINS: Feathers Always Make People Attractive | 26 Junho June - 19 Setembro September 2014<br />
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<span style="color: #7f7f7f; font-family: Times; font-size: 7.5pt;">SCROLL FOR ENGLISH VERSION</span><span style="font-family: Times; font-size: 10pt;"></span></div>
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<b><span style="color: black; font-family: 'trebuchet ms';">RUI MARTINS: Feathers Always Make People Attractive</span></b><span style="font-family: Times; font-size: 10pt;"></span></div>
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<span style="font-family: Times; font-size: 10pt;"><br /></span><span style="color: black; font-family: 'trebuchet ms'; font-size: 10pt;">26 Junho</span><span style="font-family: 'trebuchet ms'; font-size: 10pt;"> </span><span style="color: #7f7f7f; font-family: 'trebuchet ms'; font-size: 10pt;">June</span><span style="font-family: 'trebuchet ms'; font-size: 10pt;"> - </span><span style="color: black; font-family: 'trebuchet ms'; font-size: 10pt;">19 Setembro</span><span style="font-family: 'trebuchet ms'; font-size: 10pt;"> </span><span style="color: #7f7f7f; font-family: 'trebuchet ms'; font-size: 10pt;">September</span><span style="font-family: 'trebuchet ms'; font-size: 10pt;"> </span><span style="color: black; font-family: 'trebuchet ms'; font-size: 10pt;">2014</span><span style="font-family: Times; font-size: 10pt;"></span></div>
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<span style="color: black; font-family: 'trebuchet ms'; font-size: 10pt;">Inauguração</span><span style="font-family: 'trebuchet ms'; font-size: 10pt;"> </span><span style="color: #7f7f7f; font-family: 'trebuchet ms'; font-size: 10pt;">Opening</span><span style="color: black; font-family: 'trebuchet ms'; font-size: 10pt;"> | 26 Junho</span><span style="font-family: 'trebuchet ms'; font-size: 10pt;"> </span><span style="color: #7f7f7f; font-family: 'trebuchet ms'; font-size: 10pt;">June </span><span style="color: black; font-family: 'trebuchet ms'; font-size: 10pt;">2014 | Quinta-feira</span><span style="font-family: 'trebuchet ms'; font-size: 10pt;"> </span><span style="color: #7f7f7f; font-family: 'trebuchet ms'; font-size: 10pt;">Thursday</span><span style="color: black; font-family: 'trebuchet ms'; font-size: 10pt;"> | 18h00 > 21h00</span><span style="font-family: Times; font-size: 10pt;"></span></div>
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<b><span style="color: black; font-family: 'trebuchet ms'; font-size: 10pt; text-transform: uppercase;">GALERIA LUÍS SERPA PROJECTOS (LISBOA)</span></b><span style="color: black; font-family: 'trebuchet ms'; font-size: 10pt;"><br /></span><span style="font-family: Times; font-size: 10pt;"></span></div>
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<span style="font-family: 'trebuchet ms'; font-size: 10pt;">Rui Martins — <i>Feathers Always Make People Attractive</i> é a quinta exposição do ciclo “Olho por olho, mente por mente”, comissariado por António Cerveira Pinto para os 30 anos da Galeria Luís Serpa. A exposição compõe-se de três segmentos: 1) capturas de ecrã ampliadas 2) uma sequência de vídeos em loop 3) uma página do Tumblr dedicada a este projeto em desenvolvimento.</span></div>
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<span style="font-family: 'trebuchet ms'; font-size: 10pt;">Rui Martins é um autor nato de imagens e animação 3D, e um diretor de vídeo. O projeto escolhido deriva de uma tendência difusa que tem vindo a consolidar-se sob a designação <i>Glitch Art</i>, desde 2010 (ex: <a href="http://gli.tc/H" style="color: #1155cc;" target="_blank">GLI.TC/H</a>).<i> Glitch</i> refere-se a um evento inesperado e perturbador da expetativa tecnológica, por exemplo, quando o fluxo de voz se engasga numa conversa <i>Skype</i>, ou o braço de um gira-discos desliza inopinadamente produzindo um arranhão sonoro, ou quando as imagens digitais de uma televisão ou do monitor de um computador, <i>ipad</i>, <i>smarphone</i>, etc., saltam, se sobrepõem, ou estupidamente congelam. Ao contrário do ruído, que tende a ser uma ocorrência contínua, ou uma interferência entre dois acontecimentos ou padrões, o <i>glitch</i> é um acidente entre a informação e o suporte/veículo/transmissor da mesma, é, por assim dizer, uma acidente da representação. O que a <i>Glitch Art</i>, e Rui Martins, fazem é explorar este imenso universo, colecionar acidentes, provocar acidentes (<i>bending</i>), classificar estes acidentes, e finalmente recriar narrativas e objetos de arte aumentada através de procedimentos tipicamente editoriais, cuja densidade simbólica acompanha a nossa própria crescente imersão tecnológica. Esta é seguramente a primeira apresentação em Portugal da mais recente manifestação da já longa tradição iconoclasta oriunda do dadaísmo.</span></div>
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<span style="color: #7f7f7f; font-family: 'trebuchet ms'; font-size: 10pt;">»» ENGLISH »»</span></div>
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<span style="color: #a6a6a6; font-family: 'trebuchet ms'; font-size: 10pt;">Rui Martins - "Feathers Always Make People Attractive" is the fifth exhibition of "An eye for an eye, a mind for a mind," curated by Antonio Cerveira Pinto for the thirtieth anniversary of Luis Serpa art gallery, in Lisbon. The exhibition consists of three parts: enlarged screenshot prints; a video loop, and a page of Tumblr devoted to this ongoing project.</span></div>
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<span style="color: #a6a6a6; font-family: 'trebuchet ms'; font-size: 10pt;">Rui Martins is a 3D animation artist, and video director. The artwork on display is part of a new widespread trend known by Glitch Art. As <a href="http://gli.tc/" style="color: #1155cc;" target="_blank">GLI.TC</a> / H put it: "A glitch is an unexpected, non- or mis-understood break in a technological flow that for a moment reveals (gives a window into), its system. Though a glitch doesn't have to be digital, it often refers to a digital error or 'bug'. Generally, it can be anything from a skipping CD in a cafe to compression artifacts during a video chat.</span></div>
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<span style="color: #a6a6a6; font-family: 'trebuchet ms'; font-size: 10pt;">And glitch art usually refers to the intentional provocation or appropriation of a glitch by an artist. Glitch artists investigate and collect glitches to make work in many mediums (sound, web, images, video, realtime audio video performances, installations, texts, videogames, artware or software art, etc) for many different reasons (to explore the aesthetic and conceptual potential of glitches, to examine the politics embedded in technological systems, to create digital psychedelic and/or synesthetic experiences, to practice hacktivism, to explore themes of failure, chance, memory, nostalgia, entropy, etc). An incomplete list of glitch artists can be found and edited here.</span></div>
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<span style="color: #a6a6a6; font-family: 'trebuchet ms'; font-size: 10pt;">Writers and academics are also very interested in the theoretical discourse surrounding this practice. An incomplete list of books, essays, articles and dissertations on the subject of glitch art can be found and edited here." </span></div>
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<span style="color: #a6a6a6; font-family: 'trebuchet ms'; font-size: 10pt;">What Glitch Art and Rui Martins do is to explore this huge techno world, in order to collect accidents, design accidents (bending), classify these accidents, and finally recreate narratives and art objects typically expanded through editing procedures, whose symbolic density accompanies our own growing technological immersion. This is surely the first show in Portugal of the latest manifestation of the longstanding tradition of iconoclastic Dadaism.</span></div>
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<span style="color: black; font-family: 'trebuchet ms'; font-size: 10pt;">INFORMAÇÕES ÚTEIS </span><span style="color: #666666; font-family: 'trebuchet ms'; font-size: 10pt;">USEFUL INFORMATIONS</span><span style="font-family: Times; font-size: 10pt;"></span></div>
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<span style="color: black; font-family: 'trebuchet ms'; font-size: 10pt;">HORÁRIO </span><span style="color: #666666; font-family: 'trebuchet ms'; font-size: 10pt;">HOURS</span><span style="font-family: Times; font-size: 10pt;"></span></div>
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<span style="color: black; font-family: 'trebuchet ms'; font-size: 10pt;">Das 15h00 às 19h00, excepto Sábados, Domingos e Feriados</span><span style="font-family: Times; font-size: 10pt;"></span></div>
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<span lang="EN-US" style="color: #7f7f7f; font-family: 'trebuchet ms'; font-size: 10pt;">From 3 to 7 p.m., except Saturday, Sunday and Holidays</span><span style="font-family: Times; font-size: 10pt;"></span></div>
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<span style="color: black; font-family: 'trebuchet ms'; font-size: 10pt;">TRANSPORTES</span><span style="font-family: 'trebuchet ms'; font-size: 10pt;"> </span><span style="color: #7f7f7f; font-family: 'trebuchet ms'; font-size: 10pt;">TRANSPORTS</span><span style="font-family: Times; font-size: 10pt;"></span></div>
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<span style="color: black; font-family: 'trebuchet ms'; font-size: 10pt;">Autocarro</span><span style="font-family: 'trebuchet ms'; font-size: 10pt;"> </span><span style="color: #7f7f7f; font-family: 'trebuchet ms'; font-size: 10pt;">Bus</span><span style="font-family: Times; font-size: 10pt;"></span></div>
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<span style="color: black; font-family: 'trebuchet ms'; font-size: 10pt;">Rato > 706, 709, 720, 727, 738, 758 e 773.</span><span style="font-family: Times; font-size: 10pt;"></span></div>
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<span style="color: black; font-family: 'trebuchet ms'; font-size: 10pt;">Rua da Escola Politécnica > 758 e 773.</span><span style="font-family: Times; font-size: 10pt;"></span></div>
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<span style="color: black; font-family: 'trebuchet ms'; font-size: 10pt;">Metro </span><span style="color: #666666; font-family: 'trebuchet ms'; font-size: 10pt;">Subway</span><span style="color: black; font-family: 'trebuchet ms'; font-size: 10pt;">: Rato [estação terminal] Linha Amarela.</span><span style="font-family: Times; font-size: 10pt;"></span></div>
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<span style="color: black; font-family: 'trebuchet ms'; font-size: 10pt;">PARQUE ESTACIONAMENTO</span><span style="font-family: 'trebuchet ms'; font-size: 10pt;"> </span><span style="color: #7f7f7f; font-family: 'trebuchet ms'; font-size: 10pt;">PARKING</span><span style="font-family: Times; font-size: 10pt;"></span></div>
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<span style="color: black; font-family: 'trebuchet ms'; font-size: 10pt;">Entrada pela Rua da Escola Politécnica, nº 231.</span><span style="font-family: Times; font-size: 10pt;"></span></div>
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<span style="color: black; font-family: 'trebuchet ms'; font-size: 10pt;">Saída pela Rua Tenente Raul Cascais.</span><span style="font-family: Times; font-size: 10pt;"></span></div>
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<span style="color: black; font-family: 'trebuchet ms'; font-size: 10pt;">Horário: Aberto 2ª, 07h30 > 22h00 </span><span style="font-family: 'trebuchet ms'; font-size: 10pt;">|</span><span style="color: black; font-family: 'trebuchet ms'; font-size: 10pt;"> 3ª a 6ª, 07h30 > 02h00 | Sábados e Domingos, 11h00 > 02h00.</span><span style="font-family: Times; font-size: 10pt;"></span></div>
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<span style="color: black; font-family: 'trebuchet ms'; font-size: 10pt;">LOCAL </span><span style="color: #666666; font-family: 'trebuchet ms'; font-size: 10pt;">VENUE</span><span style="font-family: Times; font-size: 10pt;"></span></div>
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<span style="color: black; font-family: 'trebuchet ms'; font-size: 10pt;">GALERIA LUÍS SERPA PROJECTOS</span><span style="font-family: Times; font-size: 10pt;"></span></div>
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<span style="color: black; font-family: 'trebuchet ms'; font-size: 10pt;">Rua Tenente Raul Cascais, 1B, 1250-268 Lisboa, Portugal</span><span style="font-family: Times; font-size: 10pt;"></span></div>
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<span style="font-family: 'trebuchet ms'; font-size: 10pt;">Tel.: <u><span style="color: #1155cc;"><a href="tel:%5B%2B351%5D%20213%20960%20548" style="color: #1155cc;" target="_blank" value="+351213960548">[+351] 213 960 548</a></span></u></span><span style="font-family: Times; font-size: 10pt;"></span></div>
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<span style="font-family: 'trebuchet ms'; font-size: 10pt;">Tlm.: <u><span style="color: #1155cc;"><a href="tel:%5B%2B351%5D%20964%20028%20807" style="color: #1155cc;" target="_blank" value="+351964028807">[+351] 964 028 807</a></span></u></span></div>
Anonymoushttp://www.blogger.com/profile/03781256807379833666noreply@blogger.comtag:blogger.com,1999:blog-4350472532952729577.post-16462453364003298712014-06-30T09:28:00.002-07:002014-09-22T08:11:38.465-07:00À Volta da Mesa TALKS Around the Table #5 | Quinta do Alecrim | 17 Junho June 2014 | Terça-feira Tuesday | 19h00 > 21h00<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghc557rnPq-NYueRGXSo4q8fRuhSWB93lkWbPIJDo6bnWtvaNARa9YmKC_z5wGRjESGXR_8jDj8YT6Ekvc7xWNpDjfOiXQ0X9BpCo-Dy9FnNEUelWMnVPQRI8r7J_1JuLkE0cvODk9Qbw/s1600/10366246_1429719700635958_24327731247833879_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghc557rnPq-NYueRGXSo4q8fRuhSWB93lkWbPIJDo6bnWtvaNARa9YmKC_z5wGRjESGXR_8jDj8YT6Ekvc7xWNpDjfOiXQ0X9BpCo-Dy9FnNEUelWMnVPQRI8r7J_1JuLkE0cvODk9Qbw/s1600/10366246_1429719700635958_24327731247833879_n.jpg" height="213" width="320" /></a></div>
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<tr><td style="margin: 0px;"><span style="background-color: white; color: black; font-family: Trebuchet MS, sans-serif; font-size: xx-small;">DENIS HICKEL: preparando caixas para as colmeias da <span style="text-decoration: none;"><span class="il" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">Quinta</span> <span class="il" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">do</span> <span class="il" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">Alecrim</span></span></span><br />
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<b><span style="font-size: 12pt;"><span style="color: black; font-family: trebuchet ms, sans-serif;">QUINTA DO ALECRIM </span><u></u></span></b><span style="color: black; font-family: 'trebuchet ms', sans-serif;">|</span><span style="color: black; font-family: 'trebuchet ms', sans-serif;"><span style="font-size: medium;"> <b>À Volta da Mesa</b> <b>TALKS Around the Table #4 </b></span></span></div>
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<span style="color: black; font-family: 'trebuchet ms', sans-serif;">Conversa </span><span style="color: #999999; font-family: 'trebuchet ms', sans-serif;">Talk</span><span style="color: black; font-family: 'trebuchet ms', sans-serif;"> |17 Junho </span><span style="color: #999999; font-family: 'trebuchet ms', sans-serif;">June</span><span style="color: black; font-family: 'trebuchet ms', sans-serif;"> </span><span style="color: black; font-family: 'trebuchet ms', sans-serif;">2014 | Terça-feira </span><span style="color: #999999; font-family: 'trebuchet ms', sans-serif;">Tuesday</span><span style="color: black; font-family: 'trebuchet ms', sans-serif;"> | 19h00 > 21h00</span><br />
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<span style="color: black; font-family: 'Trebuchet MS', sans-serif; line-height: 18.2000007629395px;">Iniciativa </span><span style="font-family: 'Trebuchet MS', sans-serif; line-height: 18.2000007629395px;"><span style="color: #999999;">Iniciative</span></span><span style="color: black; font-family: 'Trebuchet MS', sans-serif; line-height: 18.2000007629395px;">: VORONOI—Acelerador de Partículas Criativas </span><span style="font-family: 'Trebuchet MS', sans-serif; line-height: 18.2000007629395px;"><span style="color: #999999;">Creative Particles Accelerator</span></span><span style="color: black; font-family: 'Trebuchet MS', sans-serif; line-height: 18.2000007629395px;"> </span><span style="color: black; font-family: 'Trebuchet MS', sans-serif; line-height: 18.2000007629395px;"> | </span><span style="color: black; font-family: 'Trebuchet MS', sans-serif;"><span style="color: black;"><a href="http://galerialuisserpaprojectos.blogspot.pt/" style="color: #1155cc; line-height: 18.2000007629395px; text-decoration: none;" target="_blank"><span style="color: black;">Galeria Luis Serpa Projectos</span></a></span></span></div>
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<span style="font-family: 'Trebuchet MS', sans-serif; line-height: 18.2000007629395px;">Um arquiteto, Denis Hickel, e a sua família trocam Lisboa por um vale agrícola em Torres Novas, que serve de laboratório a uma tese de doutoramento sobre ecologia e design.</span></div>
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<a href="http://aquintadoalecrim.com/" style="line-height: 18.2000007629395px; text-decoration: none;" target="_blank"><span style="color: black;"><span class="il" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">Quinta</span> <span class="il" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">do</span> <span class="il" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">Alecrim</span></span></a><span style="line-height: 18.2000007629395px;"> – Uma ecoliteracia de transição. Um arquiteto e uma jornalista trocam Lisboa por um vale agrícola em Torres Novas, que serve de laboratório a uma tese de doutoramento sobre ecologia e design.</span></div>
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<span style="line-height: 18.2000007629395px;">Apresentação em primeira pessoa de uma experiência de transição da cidade para o campo — os encontros, os acasos, as dificuldades e as celebrações. </span><span style="line-height: 18.2000007629395px;">O meu processo de transição para o campo é indissociável <span class="il" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">do</span> processo de pesquisa e descobertas possibilitado pela minha tese de doutoramento. Foi através da tentativa de situar e entender a pratica <span class="il" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">do</span> design dentro de uma perspectiva essencialmente ecológica que trouxe novas referencias e a vontade de explorar diferentes dinâmicas onde a vida — o viver e o fazer as coisas juntos — se pode assentar. </span><span style="line-height: 18.2000007629395px;">O ponto de partida da conversa é a definição de literacia ecológica proposta por David Orr: Aprender as dinâmicas <span class="il" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">dos</span> ecossistemas e viver de acordo. Que implicações culturais, sociais e materiais? </span></div>
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<span style="line-height: 18.2000007629395px;">Um pouco da história deste processo: </span></div>
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<span style="line-height: 18.2000007629395px;">A mudança para uma vida no campo acontece ao encarar as causas e a extensão </span><span class="il" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; line-height: 18.2000007629395px;">dos</span><span style="line-height: 18.2000007629395px;"> nossos problemas ecológicas e em busca de descobrir na pratica como estabelecer um viver de acordo com as dinâmicas </span><span class="il" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; line-height: 18.2000007629395px;">dos</span><span style="line-height: 18.2000007629395px;"> ecossistemas. Isto fez com que o foco de uma pesquisa em Design vire-se </span><span class="il" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; line-height: 18.2000007629395px;">dos</span><span style="line-height: 18.2000007629395px;"> seus aspectos materiais para explorar os seus aspectos imateriais implícitos ao processo e aos indivíduos que o fazem, perspectivas, intenções, aspirações e inter-relações. Isto resulta numa proposta tripla de ação em direção à sustentabilidade:</span></div>
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<span style="line-height: 18.2000007629395px;">• É necessário construir conhecimento sobre as causas e a extensão </span><span class="il" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; line-height: 18.2000007629395px;">dos</span><span style="line-height: 18.2000007629395px;"> nossos problemas ecológicos de forma profunda e situá-los dentro</span><span class="il" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; line-height: 18.2000007629395px;">do</span><span style="line-height: 18.2000007629395px;"> escopo de entendimento das pessoas;</span></div>
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<span style="line-height: 18.2000007629395px;">• É necessário situar as pessoas — o pensar e o fazer — dentro de uma perspectiva essencialmente ecológica: somos parte das dinâmicas</span><span class="il" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; line-height: 18.2000007629395px;">dos</span><span style="line-height: 18.2000007629395px;"> ecossistemas e devemos aprender a viver de acordo de forma a reorganizar profundamente a nossa ação humana no mundo;</span></div>
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<span style="line-height: 18.2000007629395px;">• Os designers, assim como quaisquer outros indivíduos, que são também possuidores de diferentes conhecimentos e habilidades podem co-facilitar imaginários ecológicos como uma forma de antecipação, criação, articulação e empreendimento de um habitat e um ethos ambos viáveis e desejáveis. Como forma de situar, experienciar e aprofundar este entendimento fui ao encontro da comunidade escolar de Torres Novas para convidá-la a co-criar uma visão para a escola em 2025, em face de um possível cenário de energia descendente e as alterações climáticas em curso e contando com o apoio de um léxico ecológico — palavras, termos e conceitos para estimular a criatividade e questionar a cultura vigente. Este encontro teve por objectivo entender como o processo criativo de projetar um determinado tema pode contribuir para construir uma consciência ecológica. </span></div>
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<span style="line-height: 18.2000007629395px;">Mais </span><span class="il" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; line-height: 18.2000007629395px;">do</span><span style="line-height: 18.2000007629395px;"> que uma série de ideias sobre escolas para um contexto de sustentabilidade profunda, foi neste encontro que entendeu-se que o processo criativo inerente ao ato de projetar funda um espaço essencialmente participativo onde qualquer pessoa pode participar como detentor </span><span class="il" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; line-height: 18.2000007629395px;">do</span><span style="line-height: 18.2000007629395px;"> seu próprio conhecimento. Desde aí defende-se (1) o aprender pelo fazer — onde o design (o ato de projetar para resolver problemas) é uma ferramenta poderosa de aprendizagem, pois move o sujeito </span><span class="il" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; line-height: 18.2000007629395px;">do</span><span style="line-height: 18.2000007629395px;"> universo </span><span class="il" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; line-height: 18.2000007629395px;">do</span><span style="line-height: 18.2000007629395px;"> experimento controlado para uma experiência situada. (2) Devemos repensar globalmente a educação e as formas de educar de acordo com preceitos essencialmente ecológicos. (3) Este deve ser um processo amplamente participativo e situado de acordo com as sensibilidades das pessoas e seus lugares, socialmente, historicamente, geograficamente e biologicamente situado.</span></div>
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<span style="line-height: 18.2000007629395px;">Denis Hickel</span></div>
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<span style="line-height: 18.2000007629395px;">Nasceu em 1974, é Brasileiro, arquiteto e apicultor, casado e pai de um filho.</span></div>
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<span style="line-height: 18.2000007629395px;">Enquanto arquiteto já esteve envolvido com grande diversidade de projetos de design (equipamento, cenografia, edificações, planeamento urbano e paisagismo) no Brasil, em Portugal e em Angola. Hoje vive em Portugal numa pequena </span><span class="il" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; line-height: 18.2000007629395px;">quinta</span><span style="line-height: 18.2000007629395px;"> na localidade de Alcorochel, Torres Novas, onde se dedica a uma mistura de atividades que se influenciam umas às outras: pesquisa académica em design, horticultura, apicultura naturalista e facilitação de redes de entreajuda. Seu interesse é entender e aprender como o viver de acordo com as dinâmicas </span><span class="il" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; line-height: 18.2000007629395px;">dos</span><span style="line-height: 18.2000007629395px;"> ecossistemas e procurar formas de integrar as atividades humanas nestas dinâmicas, desde a cultura alimentar, o habitar, o educar e o aprender.</span></div>
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<span style="line-height: 18.2000007629395px;">Neste Momento encontra-se a finalizar uma pesquisa de Doutoramento intitulada “O design como forma de fazer as coisas juntos: um entendimento ecológico”, no CIAUD-FAUL, a qual contou uma bolsa da FCT e foi integrada no Centre for the Study of Natural Design, University of Dundee, através de seu orientador, o Professor Seaton Baxter, responsável pela Pós-graduação em “Ecological Design Thinking” </span><span class="il" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; line-height: 18.2000007629395px;">do</span><span style="line-height: 18.2000007629395px;"> Schumacher College, Devon, Reino Unido.</span></div>
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<span style="line-height: 18.2000007629395px;">Esta pesquisa tem por objectivo explorar o encontro entre o design e o pensamento ecológico emergente.</span></div>
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Anonymoushttp://www.blogger.com/profile/03781256807379833666noreply@blogger.comtag:blogger.com,1999:blog-4350472532952729577.post-23492675714341769442014-05-27T09:50:00.003-07:002014-09-22T07:59:24.582-07:00À Volta da Mesa TALKS Around the Table #4 | Alice do Outro Lado da Passerelle | 3 Junho May 2014 | Terça-feira Tuesday | 19h00 > 21h00<br />
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<b><span style="font-size: 12pt;"><span style="color: black; font-family: trebuchet ms, sans-serif;">JOÃO BACELAR </span><u></u></span></b><span style="color: black; font-family: 'trebuchet ms', sans-serif;">|</span><span style="color: black; font-family: 'trebuchet ms', sans-serif;"><span style="font-size: medium;"> <b>À Volta da Mesa</b> <b>TALKS Around the Table </b></span></span></div>
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<span style="font-family: trebuchet ms, sans-serif;"><span style="color: black;">Conversa</span> <span style="color: #7f7f7f;">Talk</span><span style="color: black;"> | 3 Junho</span> <span style="color: #666666;">June</span><span style="color: #7f7f7f;"> </span><span style="color: black;">2014 | Terça-feira</span> <span style="color: #7f7f7f;">Tuesday</span><span style="color: black;"> | 19h00 > 21h00</span></span></div>
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<span style="font-family: trebuchet ms, sans-serif;"><span style="color: black; line-height: 18.200000762939453px;">Iniciativa </span><span style="line-height: 18.200000762939453px;"><span style="color: #999999;">Iniciative</span></span><span style="color: black; line-height: 18.200000762939453px;">: VORONOI—Acelerador de Partículas Criativas </span></span><span style="font-family: 'trebuchet ms', sans-serif; font-size: 12.727272033691406px; line-height: 18.200000762939453px;"><span style="color: #999999;">Creative Particles Accelerator</span></span><span style="color: black; font-family: 'trebuchet ms', sans-serif; font-size: 12.727272033691406px; line-height: 18.200000762939453px;"> </span><span style="color: black; font-family: 'trebuchet ms', sans-serif; line-height: 18.200000762939453px;"> | </span><span style="color: black; font-family: 'trebuchet ms', sans-serif;"><span style="color: black;"><a href="http://galerialuisserpaprojectos.blogspot.pt/" style="color: #1155cc; line-height: 18.200000762939453px; text-decoration: none;" target="_blank"><span style="color: black;">Galeria Luis Serpa Projectos</span></a></span></span></div>
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<span style="font-family: trebuchet ms, sans-serif;"><span style="color: black;"><br style="line-height: 18.200000762939453px;" /></span><span style="line-height: 18.200000762939453px;"><span style="color: black;">Oradores </span><span style="color: #999999;">Speakers</span><span style="color: black;">: João Bacelar | António Cerveira Pinto | </span></span></span></div>
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<span style="color: black;"><span style="font-family: 'Trebuchet MS', Trebuchet, sans-serif; text-align: start;">JOÃO BACELAR — “Alice do Outro Lado da Passerelle” é a quarta exposição do ciclo “Olho por olho, mente por mente”, comissariado por António Cerveira Pinto para os 30 anos da Galeria Luís Serpa. A exposição reúne mais de uma centena de fotografias realizadas nos ‘backstages’ dos desfiles de moda portuguesa, e em especial da ModaLisboa.</span></span></div>
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<span style="font-family: arial, sans-serif;"><span style="color: #999999; line-height: 18.200000762939453px;">JOÃO BACELAR - "Alice on the Other Side of the Cat Walk" is the fourth exhibition of the cycle "Eye for eye, mind to mind," curated by Antonio Pinto Cerveira to 30 years of Gallery Luis Serpa. The exhibition brings together more than one hundred photographs taken in the 'backstage' of Portugal Fashion parades and particularly ModaLisboa.</span></span><br />
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<span style="color: black; font-family: 'Trebuchet MS', Trebuchet, sans-serif; font-size: 13px; line-height: 18.200000762939453px;">Para esta conversa, moderada pelo curador António Cerveira Pinto, convidamos todos os interessados no trabalho deste fotógrafo que na antecâmara deste frenesim circular move-se como um felino entre a luz e as sombras. O artista como fotógrafo circula sem censura pelos bastidores da moda, partilhando os momentos e as tensões que antecedem o 'catwalk', os jogos de linguagem, as formas, cores e movimentos. Alice do outro lado da 'passerelle', claramente!”</span></div>
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<span style="color: grey; font-family: 'trebuchet ms', sans-serif; font-size: 13px; text-align: justify;">In this frenzy circular chamber a special cat moves with a camera on his hands. It is the artist, hunter of images that propagate through the phases of light as an endless lake. It is João Bacelar, the intimate reporter of the invisible dimensions before the parade. The artist as photographer moves uncensored around the backstage of fashion </span><i style="color: grey; font-family: 'trebuchet ms', sans-serif; font-size: 13px; text-align: justify;">travails</i><span style="color: grey; font-family: 'trebuchet ms', sans-serif; font-size: 13px; text-align: justify;">, sharing those moments and tensions preceding the catwalk, capturing different language games, shapes, colors and movements emanating from those frenzy days and nights. Alice on the other side of the catwalk, definitely!"</span></div>
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Anonymoushttp://www.blogger.com/profile/03781256807379833666noreply@blogger.comtag:blogger.com,1999:blog-4350472532952729577.post-73026381558840866282014-05-11T09:59:00.000-07:002014-09-22T07:58:48.613-07:00À Volta da Mesa TALKS Around the Table #3 | TAMERA: Biótipo para a Cura | 13 Maio May 2014 | Terça-feira Tuesday | 19h00 > 21h00<br />
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<b style="font-size: 13px;"><span style="font-size: 12pt;"><span style="color: black; font-family: trebuchet ms, sans-serif;">TAMERA </span><u></u></span></b><span style="color: black; font-family: 'trebuchet ms', sans-serif; font-size: 13px;">|</span><span style="color: black; font-family: 'trebuchet ms', sans-serif;"><span style="font-size: medium;"> <b>À Volta da Mesa</b> <b>TALKS Around the Table </b></span></span></div>
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<span style="font-family: trebuchet ms, sans-serif;"><span style="color: black;">Conversa</span> <span style="color: #7f7f7f;">Talk</span><span style="color: black;"> | 13 Maio</span> <span style="color: #7f7f7f;">May </span><span style="color: black;">2014 | Terça-feira</span> <span style="color: #7f7f7f;">Tuesday</span><span style="color: black;"> | 19h00 > 21h00</span></span></div>
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<span style="font-family: trebuchet ms, sans-serif;"><span style="color: black; font-size: 13px; line-height: 18.200000762939453px;">Iniciativa </span><span style="font-size: 13px; line-height: 18.200000762939453px;"><span style="color: #999999;">Iniciative</span></span><span style="color: black; font-size: 13px; line-height: 18.200000762939453px;">: VORONOI—Acelerador de Partículas Criativas </span></span><span style="font-family: 'trebuchet ms', sans-serif; font-size: 12.727272033691406px; line-height: 18.200000762939453px;"><span style="color: #999999;">Creative Particles Accelerator</span></span><span style="color: black; font-family: 'trebuchet ms', sans-serif; font-size: 12.727272033691406px; line-height: 18.200000762939453px;"> </span><span style="color: black; font-family: 'trebuchet ms', sans-serif; font-size: 13px; line-height: 18.200000762939453px;"> | </span><span style="color: black; font-family: 'trebuchet ms', sans-serif;"><span style="color: black;"><a href="http://galerialuisserpaprojectos.blogspot.pt/" style="color: #1155cc; font-size: 13px; line-height: 18.200000762939453px; text-decoration: none;" target="_blank"><span style="color: black;">Galeria Luis Serpa Projectos</span></a></span></span></div>
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<span style="font-family: trebuchet ms, sans-serif;"><span style="color: black;"><br style="font-size: 13px; line-height: 18.200000762939453px;" /><span style="font-size: 13px; line-height: 18.200000762939453px;">Primeira apresentação em Lisboa desta importante e inovadora comunidade </span><a href="http://tamera.org/pt/" style="color: #1155cc; font-size: 13px; line-height: 18.200000762939453px; text-decoration: none;" target="_blank"><span style="color: black;">sediada no Alentejo</span></a></span><span style="color: black; font-size: 13px; line-height: 18.200000762939453px;">, onde se experimentam soluções sociais, culturais e tecnológicas para o futuro da humanidade.</span><br style="font-size: 13px; line-height: 18.200000762939453px;" /><br style="font-size: 13px; line-height: 18.200000762939453px;" /><span style="font-size: 13px; line-height: 18.200000762939453px;"><span style="color: black;">Oradores </span><span style="color: #999999;">Speakers</span><span style="color: black;">: Benjamin von Mendelssohn | Juliette Baigler | Martin Winiecki </span></span></span></div>
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<b><span style="color: black; font-family: 'trebuchet ms'; font-size: 10pt;">Tamera é um Centro de Educação e de Investigação para a ‘Utopia Concreta’</span></b><span style="color: black; font-family: 'trebuchet ms'; font-size: 10pt;"><br />O projecto foi fundado na Alemanha em 1978. Em 1995 este deslocou-se para Portugal. Actualmente, 170 pessoas vivem e trabalham nesta propriedade de 140 hectares. O pensamento basilar foi o de desenvolver um modelo para uma vida sem violência entre seres humanos, animais e natureza. Rapidamente, tornou-se claro que a cura do amor e da comunidade humana teria de ser colocada no centro deste trabalho. A sexualidade, o amor e as parcerias precisam de ser libertadas do medo e da mentira, pois não poderá haver paz na Terra enquanto houver guerra no amor.<br />As questões de investigação ecológicas e tecnológicas de Tamera incluem a implementação de uma Paisagem de Retenção de Água – para o restabelecimento do ciclo hidrológico e dos ecossistemas – assim como um modelo para a auto-suficiência regional ao nível do abastecimento energético e da nutrição.<br />Através do Campus Global e da Escola Terra Nova trabalhamos, integrados numa rede global, nas fundações sociais, éticas e ecológicas de uma nova Terra – Terra Nova.</span></div>
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<span style="color: #999999; font-family: 'trebuchet ms'; font-size: 10pt;">The project was founded in Germany in 1978. In 1995 it moved to Portugal. Today 170 people live and work on a property of 330 acres.The founding thought was to develop a non-violent life model for cooperation between human being, animal and nature. Soon it became clear that the healing of love and of human community had to be placed at the center of this work. Sexuality, love and partnership need to be freed from lying and fear, for there can be no peace on Earth as long as there is war in love. The ecological and technological research of Tamera includes the implementation of a retention landscape for the healing of water and nature, as well as a model for regional autonomy in energy and food. Through the Global Campus and the Terra Nova School we are working within a global network on the social, ecological and ethical foundations for a new Earth – Terra Nova.</span><span style="font-family: Arial; font-size: 10pt;"></span></div>
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Anonymoushttp://www.blogger.com/profile/03781256807379833666noreply@blogger.comtag:blogger.com,1999:blog-4350472532952729577.post-54846427840039777702014-05-06T04:29:00.000-07:002014-09-22T07:56:30.805-07:00JOÃO BACELAR: Alice de Outro Lado da Passerelle<br />
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<b><span style="font-size: 12pt;"><span style="color: black; font-family: trebuchet ms, sans-serif;">JOÃO BACELAR: Alice do Outro Lado da Passerelle</span><u></u><u></u></span></b></div>
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<span style="font-family: trebuchet ms, sans-serif;"><span style="color: black;">08 Maio</span> <span style="color: #7f7f7f;">May</span> - <span style="color: black;">19 Junho</span> <span style="color: #7f7f7f;">June</span> <span style="color: black;">2014</span><u></u><u></u></span></div>
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<span style="font-family: trebuchet ms, sans-serif;"><span style="color: black;">Inauguração</span> <span style="color: #7f7f7f;">Opening</span><span style="color: black;"> | 08 Maio</span> <span style="color: #7f7f7f;">May </span><span style="color: black;">2014 | Quinta-feira</span> <span style="color: #7f7f7f;">Thursday</span><span style="color: black;"> | 18h00 > 21h00</span></span><u></u><u></u></div>
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<span style="color: black; font-family: trebuchet ms, sans-serif;"><i>Abstract</i>: "Alice do Outro Lado da <i>Passerelle</i>” é terceira exposição do ciclo “Olho por olho, mente por mente”, comissariado por António Cerveira Pinto para os 30 anos da Galeria Luís Serpa. A exposição reúne mais de uma centena de fotografias realizadas nos <i>backstages</i> dos desfiles de moda portuguesa.</span></div>
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<span style="color: black; font-family: trebuchet ms, sans-serif;">Nas palavras do comissário desta segunda exposição individual de João Bacelar, António Cerveira Pinto, escreve:</span></div>
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<span style="font-family: trebuchet ms, sans-serif;"><span style="color: black;">«Se há manifestação que distinga a cultura moderna e contemporânea, a moda é uma delas. No seu corpo frágil e efémero, nos tecidos que acabam de pousar sobre a pele das modelos, no movimento encadeado das <i>passerelles</i>, a moda chama si o narcisismo, o desenho, o corte, a costura, o imaginário, o erotismo, a sedução, o nervosismo, a excitação e a beleza de uma era inventada para a cidade, para a comunicação e para o olhar, para a liberdade e para a democracia. No feminino, masculino e neutro. Na feminina, masculina e neutra. Na alta costura, no último figurino e no alfaiate que entusiasmou Kierkegaard. No preto-e-branco, no <i>prêt-à-porter</i> e na cor, claramente!</span></span></div>
<span style="font-family: trebuchet ms, sans-serif;">Na antecâmara deste frenesim circular move-se um felino entre a luz e as sombras. É o artista como fotógrafo, o caçador de imagens que se propagam pelas fases da luz como num lago sem fim. É João Bacelar, ou seja, o retratista da dimensão invisível dos modelos antes de desfilar. O artista circula sem censura pelos bastidores da moda, partilhando os momentos e as tensões que antecedem o <i>catwalk</i>, os jogos de linguagem, as formas, cores e movimentos. Alice do outro lado da<i>passerelle</i>, claramente!»</span></div>
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<span style="font-family: trebuchet ms, sans-serif;"><span style="color: grey;"><i>Abstract</i>: "Alice on the Other Side of the Catwalk" is the third exhibition of "An eye for an eye, a mind for a mind" curated by Antonio Cerveira Pinto within the 30th anniversary of Luís Serpa art gallery. The exhibition brings together more than one hundred photographs taken in the backstage of the Portuguese fashion parades, with particular emphasis on ModaLisboa fashion week.</span><span style="background-color: #ffffcc; color: grey;"></span></span></div>
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<span style="font-family: trebuchet ms, sans-serif;"><span style="color: grey;">In the words of Antonio Cerveira Pinto, the Curator of this second one-man show by João Bacelar, </span><span style="color: grey;">"If anything distinguishes modern and contemporary culture, fashion is the one. In its fragile and ephemeral body, in the tissue that had just landed on the skin of models and their chained movement, fashion calls itself for the narcissism, drawing, cutting, sewing, imagery, eroticism, seduction, nervousness, excitement and beauty of an era marked by urban communication, look, freedom and democracy. Where the female, the male and other genres interact day and night. High <i>couture</i>, the last costume and the famous tailor that excited Kierkegaard. In black and white, <i>prêt-à-porter</i> and color, what else?</span><span style="color: grey;"></span></span></div>
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<span style="color: grey;"><span style="font-family: trebuchet ms, sans-serif;"><br /></span><span style="font-family: trebuchet ms, sans-serif;">In this frenzy circular chamber a special cat moves with a camera on his hands. It is the artist, hunter of images that propagate through the phases of light as an endless lake. It is João Bacelar, the intimate reporter of the invisible dimensions before the parade. The artist as photographer moves uncensored around the backstage of fashion <i>travails</i>, sharing those moments and tensions preceding the catwalk, capturing different language games, shapes, colors and movements emanating from those frenzy days and nights. Alice on the other side of the catwalk, definitely!"</span><span style="font-family: Palatino Linotype; font-size: 9pt;"></span></span></div>
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<span style="font-family: trebuchet ms, sans-serif;"><span style="font-size: 9pt;">JOÃO </span><span style="font-size: 9pt;"><b>BACELAR</b></span><span style="font-size: 9pt;"> </span><span style="font-size: 9.5pt;">[Lisboa, 1972]</span></span></div>
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<span style="font-family: 'trebuchet ms', sans-serif; font-size: 9pt;"> João Bacelar é o fotógrafo oficial de </span><i style="font-family: 'trebuchet ms', sans-serif; font-size: 9pt;">backstage</i><span style="font-family: 'trebuchet ms', sans-serif; font-size: 9pt;"> e </span><i style="font-family: 'trebuchet ms', sans-serif; font-size: 9pt;">still life </i><span style="font-family: 'trebuchet ms', sans-serif; font-size: 9pt;">da Moda Lisboa desde 2004. É fotógrafo oficial de </span><i style="font-family: 'trebuchet ms', sans-serif; font-size: 9pt;">backstage</i><span style="font-family: 'trebuchet ms', sans-serif; font-size: 9pt;"> do festival Optimus Alive.</span></div>
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<span style="font-family: trebuchet ms, sans-serif;"><span style="font-size: 9pt;">Foi responsável de imagem da primeira visita do Dalai Lama a Portugal, tendo desenvolvido todo o design e identidade gráfica dos livros de oração, decoração, objetos e <i>merchandising</i>.</span><span style="font-size: 9pt;"></span></span></div>
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<span style="font-size: 9pt;"><span style="font-family: trebuchet ms, sans-serif;">João Bettencourt Bacelar começou a desenhar muito cedo em pranchas de surf e <i>bodyboard</i>. Estudou <i>design</i> no IADE. Cedo a ilustração e a fotografia para publicidade e moda levaram-no à empresa Novo Design (Brandia), tendo montado um atelier com Ricardo Mealha em 1995. Passou ainda nos anos 90 pela Young & Rubicam, BMZ/PARK e em 2000 pela BBDO e depois ainda pela Saatchi e pela Ogilvy & Matter. Foi ainda durante essa década que começou a colecionar os mais de 30 prémios de design e comunicação (vários European Regional Design Awards, Prisma Awards, Eurobest, FIAP, Cannes Festival, Clio Awards, Cresta Awards, The New York Festivals, EMEA, Troféu Diário de Notícias) com trabalhos que realizou para instituições como Portugal Telecom, Sonae, Nissan, Ford, ICEP, Revista Cais, Amnistia Internacional, Sindicato de Jornalistas, Fundação Calouste Gulbenkian.</span></span></div>
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<span style="font-size: 9pt;"><span style="font-family: 'trebuchet ms', sans-serif; font-size: 9pt;">Ilustrou o livro para crianças "101 Coisas e Meia para fazer antes de crescer" e, em 2011, foi lançado na Moda Lisboa o seu livro de fotografias "Water Closet" na Fashion Week do Estoril (2009). Foi responsável por inúmeras produções para a revista DIF Magazine (16 números desta revista mensal tiveram a capa com a sua assinatura, ao longo dos quase 9 anos de existência), ou da revista Umbigo, além de outras publicações como Neo2, Diário de Notícias, Cosmopolitan-Portugal, e revista Tabu do Jornal Sol.</span><span style="font-family: 'trebuchet ms', sans-serif; font-size: 9pt;"> </span><span style="font-family: 'trebuchet ms', sans-serif; font-size: 9pt;">João Bacelar tem um extenso trabalho em vídeo para a RTP1, RTP2, SIC. Foi o único português a ser selecionado para o "Life in a Day", produzido por Ridley Scott.</span></span><br />
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<span style="color: grey; font-family: 'trebuchet ms', sans-serif; font-size: 9pt;">João Bettencourt Bacelar began his art life very early, drawing surfboards and boogie boarding. He studied design at Portuguese Institute of Arts and Design (IADE). He makes illustration and photography for advertising and fashion companies and magazines as New Design (Brandia), having set up a design studio with Ricardo Mealha in 1995. During the 90's he worked for Young & Rubicam, BMZ / PARK and in 2000 for BBDO and, later for Saatchi and Ogilvy & Matter. Also, during this decade, he began collecting over 30 design and media awards (European Regional Design Awards, Prism Awards, Eurobest, FIAP, Cannes, Clio Awards Cresta Awards, New York Festivals, EMEA, Trophy Diary News). He has also done projects for Portugal Telecom, Sonae, Nissan, Ford, ICEP, Pier Magazine, Amnesty International, Union of Journalists and Calouste Gulbenkian Foundation. </span></div>
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<span style="color: grey; font-size: 9pt;"><span style="font-family: trebuchet ms, sans-serif;"><br />Bacelar was the only Portuguese vídeo maker selected for Ridley Scott’s “Life in a Day”.</span></span><span style="font-family: 'Palatino Linotype'; font-size: 9pt;"></span></div>
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<span lang="DE" style="font-family: 'trebuchet ms', sans-serif; text-align: justify;">ANTÓNIO<b> </b></span><span lang="DE" style="font-family: 'trebuchet ms', sans-serif; text-align: justify;"><b>CERVEIRA PINTO</b></span><b style="font-family: 'trebuchet ms', sans-serif; text-align: justify;"><span lang="DE"> [</span></b><span lang="DE" style="font-family: 'trebuchet ms', sans-serif; text-align: justify;">Macau, 1952]</span></div>
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<span style="font-family: trebuchet ms, sans-serif;"><span lang="DE">Artista, escritor e crítico cultural. Dedica-se sobretudo à actividade artística, reflexão, escrita e direc</span><span lang="DE">ç</span><span lang="DE">ão de projectos multidisciplinares.</span><span lang="DE"> </span><span lang="DE">Fundou e dirige a <i>Aula do Risco</i>, desde 1994. Escreveu até a data mais de 1700 textos de reflexão e crítica. A sua arte tem uma visível marca conceptual. Idealizou, com Carlos Sant’Ana, a extensão de Lisboa para a margem esquerda do Tejo [2005] e uma cidade tecnológica para Montemor-o-Novo [1995]. Concebeu</span><span lang="DE"> um <i>Museo de Arte y Nuevas Tecnologias </i>na Corunha [1987].</span><span lang="DE"> Participou na exposiç</span><span lang="DE">ã</span><span lang="DE">o inaugural de <i>Centro de Arte Museo Reina Sofia,</i> em Madrid [1986].</span><span lang="DE"> Participou na <i>XII Bienal de Paris</i> [1982], e está representado nas colecções, do <i>Museu de Serralves</i> e do <i>Museu Berardo</i>.</span></span></div>
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<span style="font-family: trebuchet ms, sans-serif;"><span lang="EN-US" style="color: grey;">ANTÓNIO </span><span lang="EN-US" style="color: grey;"><b>CERVEIRA PINTO</b></span><b><span lang="EN-US" style="color: grey;"> [</span></b><span lang="EN-US" style="color: grey;">Macau, 1952]</span></span></div>
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<span style="font-family: trebuchet ms, sans-serif;"><span lang="EN-US" style="color: #7f7f7f;">Artist, writer and cultural critic, mainly dedicated to artistic activity and writing, as well as directing multidisciplinary projects. Founder and director of <i>Aula do Risco</i> (<i>'Risk School'</i>) since 1994. He has written over 1700 texts. His art has a visible conceptual mark. Created, along with Carlos Sant'Ana, a strategic and urban concept for extending Lisbon centre to river Tejo left bank [2005]. Envisioned a technologic city for <i>Montemor-o-Novo</i> [1995] and the creative concept for the <i>Museo de Arte y Nuevas Tecnologias</i> at the Spanish town of La Coruña (1987). Participated in the opening exhibition of the <i>Museo Centro de Arte Reina Sofia</i>, Madrid [1986] and in the <i>XII Bienal of Paris </i>[1982]. Is represented in the collections of the <i>Museum of Serralves</i> and <i>Museum Berardo</i>.</span> </span></div>
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Anonymoushttp://www.blogger.com/profile/03781256807379833666noreply@blogger.comtag:blogger.com,1999:blog-4350472532952729577.post-13776248974892281422014-04-02T11:03:00.002-07:002014-04-03T08:01:51.635-07:00CONVERSAS À VOLTA DA MESA TALKS AROUND THE TABLE #2<div class="separator" style="clear: both; text-align: center;">
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<b><span style="font-family: 'Trebuchet MS', sans-serif; font-size: 14pt;"><span style="color: black;">CONVERSAS À VOLTA DA MESA</span><span style="color: #7f7f7f;"> TALKS AROUND THE TABLE #2<u></u><u></u></span></span></b></div>
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<span style="color: black;"><b><span lang="DE" style="font-family: 'Trebuchet MS', sans-serif;">IPHONE4 UTILIZADO NAS OBRAS DO ARTISTA JOAO VILHENA</span></b><span style="font-family: 'Trebuchet MS', sans-serif;"><u></u><u></u></span></span></div>
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<span style="color: black;"><span lang="DE" style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;">Joao Vilhena explora o tema do auto-retrato utilizando a tecnologia de um </span><span lang="DE" style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;">s</span><i><span lang="DE" style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;">martphone</span></i><span lang="DE" style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;">. O artista utilizou o</span><i><span lang="DE" style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;"> iphone4</span></i><span lang="DE" style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;"> </span><span lang="DE" style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;">para se fotografar, assim como para montar a imagem daí resultante, logo após o momento em que efectua esses retratos</span><span lang="DE" style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;">. A mediação deste processo faz deste trabalho uma das primeiras obras de arte na era do </span><i><span lang="DE" style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;">selfie</span></i><i><span lang="DE" style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;">‘</span></i><i><span lang="DE" style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;">s</span></i><span lang="DE" style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;"> numa galeria de arte contemporânea.</span><span style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;"><u></u><u></u></span></span></div>
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<span style="color: black;"><span lang="DE" style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;">A exposição "E/O" (Eu/Outro) é composta por trinta e duas fotomontagens digitais, onde se misturam retratos da pintura clássica ocidental e o fenómeno</span><i><span lang="DE" style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;">selfie </span></i><span lang="DE" style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;">(auto-retratos partilhados na Internet).</span><span style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;"><u></u><u></u></span></span></div>
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<span style="color: black;"><span lang="DE" style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;">Dia 08 de Abril, [terça-feira 19h00 21h00], "Conversa à Volta da Mesa" com Joao Vilhena e os oradores convidados LUIS SERPA, ANTÓNIO CERVEIRA PINTO e MARGARIDA MEDEIROS sob o tema "Eu/Outro: representação, pulsão e expulsão no espetáculo da arte".</span><span lang="DE" style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;"><u></u><u></u></span></span></div>
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<span style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;"><span style="color: black;">ORADORES CONVIDADOS<u></u><u></u></span></span></div>
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<span style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;"><span style="color: black;">LUÍS SERPA - A obra de Joao Vilhena na Colecção [Safira e Luís] Serpa, Auto-Retratos de Artistas Contemporâneos</span></span></div>
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<span style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;"><span style="color: black;">ANTÓNIO CERVEIRA PINTO - O narcisismo da cultura moderna e contemporânea e o teatro do eu, a propósito das <i>selfies</i></span></span></div>
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<span style="color: black; font-family: Trebuchet MS, sans-serif;">MARGARIDA MEDEIROS - Fotografia e Narcisismo - o Auto-Retrato contemporâneo</span></div>
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<span style="color: black; font-family: Trebuchet MS, sans-serif;">JOAO VILHENA - Auto-Retratos na era da digital (os <i>smartphones</i> e os <i>iphones</i>)</span></div>
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<span style="color: black;"><span style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;">L</span><span style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;">UÍS SERPA<b> </b>(Lisboa, 1948)</span><span style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;">. </span><span style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;">Luís Serpa desenvolveu um modelo de Galeria de Arte - Galeria CÓMICOS_LUÍS SERPA Projectos (desde 1984) que é considerado um case-study, pelo facto de conjugar sistematicamente projectos interdisciplinares incluindo pintura, escultura, desenho, instalação, fotografia, vídeo, design, arquitectura e outras disciplinas.</span><span style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;"><u></u><u></u></span></span></div>
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<span style="color: black;"><span style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;">Através d’O MUSEU TEMPORÁRIO (desde 1991), um projecto de engenharia cultural, assume-se como um Gestor de Projectos Culturais (Programador, Comissário, Curador), Relações Públicas & Fund-raising, Museógrafo, Designer industrial & gráfico (corporate identidy e consultoria em semiótica da publicidade).</span><span style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;"><u></u><u></u></span></span></div>
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<span style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;"><span style="color: black;">ANTÓNIO CERVEIRA PINTO<b> </b>(Macau, 1952). Artista, escritor e crítico cultural. Dedica-se sobretudo à actividade artística, reflexão, escrita e direcção de projectos multidisciplinares. Fundou e dirige a <i>Aula do Risco</i>, desde 1994. Escreveu até a data mais de 1700 textos de reflexão e crítica. Participou na exposição inaugural de <i>Centro de Arte Museo Reina Sofia,</i> em Madrid (1986). Participou na <i>XII Bienal de Paris</i> (1982), e está representado nas colecções, do <i>Museu de Serralves</i> e do <i>Museu Berardo</i>.<u></u><u></u></span></span></div>
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<span style="color: black;"><span style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;">MARGARIDA MEDEIROS</span><span style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;"> </span><span style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;">(Avelar, 1957). Doutorada em Ciências da Comunicação pela Universidade Nova de Lisboa (2010), mestre em Ciências da Comunicação pela Faculdade de Ciências Sociais e Humanas da Universidade Nova de Lisboa (1997) e licenciada em Filosofia pela Universidade de Coimbra (1981). É Professora efectiva no Ensino Secundário e também docente do Ensino Superior na Universidade Nova de Lisboa, na posição de Professora Auxiliar (desde 2001). É ainda Professora Auxiliar Convidada na Faculdade de Belas-Artes da Universidade de Lisboa. Colabora também com "Jornal Público". Editou até hoje numerosos ensaios sobre Fotografia e Imagem, entre eles o livro <i>Fotografia e narcisismo — o auto-retrato contemporâneo</i> (pela Assírio & Alvim, 2000) produto final da investigação que levou a cabo para a tese de Mestrado.<u></u><u></u></span></span></div>
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<span style="color: black;"><span style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;">JOAO VILHENA (Lisboa, n/d)</span></span></div>
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<span lang="PT"><span style="color: black; font-family: trebuchet ms, sans-serif;">Joao Vilhena, é um artísta plástico de origem portuguesa que nasceu em Lisboa a 01 de Julho de 1983. A sua obra elabora um discurso multidisciplinar, integrando referências da cultura cinematográfica, literária e das artes plásticas em registos que percorrem a pintura, escultura, fotografia e video-arte, numa permanente reflexão sobre a condição humana. Joao Vilhena, inicia a sua carreira ainda como estudante (Fez os cursos de escultura e pintura no ARCO), sendo presença regular desde 2000 no mercado de arte nacional e internacional.</span><span style="font-family: Palatino; font-size: 9pt; font-weight: bold;"></span></span></div>
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<span lang="EN-US" style="color: #7f7f7f; font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;">»» ENGLISH »»<u></u><u></u></span></div>
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<span lang="EN-US" style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;"> </span><span lang="DE" style="color: grey; font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;">IPHONE4 USED IN ARTWORKS OF THE ARTIST JOAO VILHENA </span><span lang="EN-US" style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;"><u></u><u></u></span></div>
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<span lang="DE" style="color: grey; font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;">Joao Vilhena explores the theme of self-portrait using the technology of a smartphone. The artist used the <i>iphone4</i> to shoot</span><span lang="DE" style="color: #1f497d; font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;"> </span><span lang="DE" style="color: grey; font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;">himself, as well as to work the image photographed, right after the moment he took the portraits. The mediation of this process makes this work one of the first works of art in the age of selfie‘s in a contemporary art gallery.</span><span lang="EN-US" style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;"><u></u><u></u></span></div>
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<span lang="DE" style="color: grey; font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;">The exhibition "I/O" (Self Other) consists of thirty-two digital photomontages, where there's a mixture of classical western painting portraits and the selfies phenomenon (shared self-portraits on the Internet).</span><span lang="EN-US" style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;"><u></u><u></u></span></div>
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<span lang="DE" style="color: grey; font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;">On 08 April [Tuesday 19:00 21:00] Talk Around the Table with Joao Vilhena and guest speakers LUIS SERPA, ANTONIO PINTO CERVEIRA and MARGARIDA MEDEIROS. The topic discussed will be: "I Other: representation, impulse and expulsion in the spectacle of art."</span><span lang="EN-US" style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;"><u></u><u></u></span></div>
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<span style="color: #7f7f7f; font-family: Trebuchet MS, sans-serif;">LUIS SERPA- The work of Joao Vilhena in the Collection [Safira and Luis] Serpa, Self-Portraits by Contemporary Artists </span></div>
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<span style="color: #7f7f7f; font-family: Trebuchet MS, sans-serif;">ANTÓNIO CERVEIRA PINTO - The narcissism of modern and contemporary culture and theater of the I, the purpose of selfies </span></div>
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<span style="color: #7f7f7f; font-family: Trebuchet MS, sans-serif;">MARGARIDA MEDEIROS - Photography and Narcissism - The Contemporary Self-Portrait </span></div>
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<span style="color: #7f7f7f; font-family: Trebuchet MS, sans-serif;">JOAO VILHENA - Self-Portraits in the digital era (smartphones and iphones)</span></div>
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<span lang="EN-US" style="color: #7f7f7f; font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;">LUÍS SERPA (Lisboa,1948) -has development a new model for the Art Gallery CÓMICOS_LUÍS SERPA Projectos (since 1984). </span><span style="color: #7f7f7f; font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;">It´s considerated a case-study for the fact that combine an interdisciplinar project including painting, sculpture, drawings, photography, vídeo, design, arquitecture and other disciplines. <u></u><u></u></span></div>
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<span style="color: #7f7f7f; font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;">Through</span><span style="color: grey; font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;"> O MUSEU TEMPORÁRIO (since 1991), a project of cultural engineering, i tis assumed as a Cultural Project Manager (Developer, Commissioner, Curator), Public Relations &Fund-raising, Museógrafo, Industrial & Graphic Designer ( identidy corporate and consultancy semiotics or advertising).</span><span style="color: #1f497d; font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;"><u></u><u></u></span></div>
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<span lang="EN-US" style="color: #1f497d; font-family: Calibri, sans-serif; font-size: 11pt;"><u></u> </span><span lang="EN-US" style="color: grey; font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;">ANTÓNIO CERVEIRA PINTO (Macau, 1952).<b> </b></span><span lang="EN-US" style="color: #7f7f7f; font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;">Artist, writer and cultural critic, mainly dedicated to artistic activity and writing, as well as directing multidisciplinary projects. Founder and director of <i>Aula do Risco</i> (<i>'Risk School'</i>) since 1994. He has written over 1700 texts. Participated in the opening exhibition of the <i>Museo Centro de Arte Reina Sofia</i>, Madrid (1986) and in the <i>XII Bienal of Paris </i>(1982). Is represented in the collections of the <i>Museum of Serralves</i> and <i>Museum Berardo</i>.</span></div>
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<span lang="EN-GB" style="color: grey; font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;">MARGARIDA MEDEIROS</span><span lang="EN-GB" style="color: grey; font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;"> (Avelar, 1957). </span><span lang="EN-GB" style="color: grey; font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;">PhD in Communication Sciences from the Universidade Nova of Lisbon (2010), Master in Communication Sciences from the Faculty of Social and Human Sciences of Universidade Nova de Lisboa (1997), and also degree in Philosophy from the University of Coimbra (1981). Is effective teacher in Secondary Education and also professor of Higher Education at Universidade Nova de Lisboa, in the Assistant Professor position (since 2001). She is still an Invited Lecturer at the Faculty of Fine Arts, University of Lisbon. Also collaborates with " Jornal Público". Until the present day she has collectively edited numerous, between them, the final product of the research for her Master's thesis.</span><span style="color: #1f497d; font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;"><u></u><u></u></span></div>
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<span style="color: #666666; font-family: trebuchet ms, sans-serif;">JOAO VILHENA (Lisboa n/d) </span></div>
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<span style="font-family: trebuchet ms, sans-serif;"><span lang="EN-US" style="color: grey;">Joao Vilhena is a Portuguese visual artist that was born in Lisbon in the 01 of July 1983. His work evoques references to cinema culture, theater, literature, photography, paintings and it is made of paintings, sculptures, photographies and video-art, in a permanent reflexionabout human condition. Joao Vilhena, beguins his carreira as a studant (studied sculpture and pintura at <a href="http://ar.co/" style="color: #1155cc;" target="_blank">AR.CO</a>) and is a regular presence at the national and international art market since 2000.</span></span></div>
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<span style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;"><span style="color: black;">INFORMAÇÕES ÚTEIS</span> <span style="color: #666666;">USEFUL INFORMATIONS</span><span style="color: black;"><u></u><u></u></span></span></div>
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<span style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;"><span style="color: black;">HORÁRIO</span> <span style="color: #666666;">HOURS</span><span style="color: black;"><u></u><u></u></span></span></div>
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<span style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;"><span style="color: black;">Das 15h00 às 19h00, excepto Sábados, Domingos e Feriados<u></u><u></u></span></span></div>
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<span lang="EN-US" style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;"><span style="color: #666666;">From 3 to 7 p.m.,</span><span style="color: black;"> </span><span style="color: #666666;">except Saturday, Sunday and Holidays</span></span><span style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;"><u></u><u></u></span></div>
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<span style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;"><span style="color: black;">TRANSPORTES </span><span style="color: #666666;">TRANSPORTS</span><span style="color: black;"><u></u><u></u></span></span></div>
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<span style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;"><span style="color: black;">Autocarro </span><span style="color: #666666;">Bus</span><span style="color: black;"><u></u><u></u></span></span></div>
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<span style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;"><span style="color: black;">Rato > 706, 709, 720, 727, 738, 758 e 773.<u></u><u></u></span></span></div>
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<span style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;"><span style="color: black;">Rua da Escola Politécnica > 758 e 773.<u></u><u></u></span></span></div>
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<span style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;"><span style="color: black;">Metro</span><span style="color: #666666;"> Subway:</span> <span style="color: black;">Rato [estação terminal] Linha Amarela.<u></u><u></u></span></span></div>
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<span style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;"><span style="color: black;">PARQUE ESTACIONAMENTO</span> <span style="color: #666666;">PARKING</span><span style="color: black;"><u></u><u></u></span></span></div>
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<span style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;"><span style="color: black;">Entrada pela Rua da Escola Politécnica, nº 231.<u></u><u></u></span></span></div>
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<span style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;"><span style="color: black;">Saída pela Rua Tenente Raul Cascais.<u></u><u></u></span></span></div>
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<span style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;"><span style="color: black;">Horário: Aberto 2ª, 07h30 > 22h00 | 3ª a 6ª, 07h30 > 02h00 | Sábados e Domingos, 11h00 > 02h00.<u></u><u></u></span></span></div>
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<span style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;"><span style="color: black;">LOCAL</span> <span style="color: #666666;">VENUE</span><span style="color: black;"><u></u><u></u></span></span></div>
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<span style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;"><span style="color: black;">GALERIA LUÍS SERPA PROJECTOS<u></u><u></u></span></span></div>
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<span style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;"><span style="color: black;">Rua Tenente Raul Cascais, 1B, 1250-268 Lisboa, Portugal</span><u></u><u></u></span></div>
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<span style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;">Tel.: <a href="tel:%5B%2B351%5D%20213%20960%20548" style="color: #1155cc;" target="_blank">[+351] 213 960 548</a><u></u><u></u></span></div>
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<span style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;">Tlm.: <a href="tel:%5B%2B351%5D%20964%20028%20807" style="color: #1155cc;" target="_blank">[+351] 964 028 807</a><u></u><u></u></span></div>
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<span style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;"><a href="mailto:galerialuisserpaprojectos@gmail.com" style="color: #1155cc;" target="_blank">galerialuisserpaprojectos@<wbr></wbr>gmail.com</a><u></u><u></u></span></div>
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<span style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;"><a href="http://galerialuisserpaprojectos.blogspot.pt/" style="color: #1155cc;" target="_blank">galerialuisserpaprojectos.<wbr></wbr>blogspot.pt</a> </span><br />
<span style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;"><a href="http://www.facebook.com/galerialuisserpaprojectos" style="color: #1155cc;" target="_blank">www.facebook.com/<wbr></wbr>galerialuisserpaprojectos</a></span></div>
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GALERIA LUÍS SERPA PROJECTOShttp://www.blogger.com/profile/15270932187541643704noreply@blogger.comtag:blogger.com,1999:blog-4350472532952729577.post-67652941117888503372014-03-31T07:30:00.003-07:002014-04-02T08:46:38.281-07:00CONVERSAS À VOLTA DA MESA TALKS AROUND THE TABLE #1<div style="background-color: white; color: #222222; font-family: 'Times New Roman', serif; font-size: 12pt; margin: 0cm 0cm 0.0001pt; text-align: justify;">
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<b style="font-size: 12pt;"><span style="font-family: Calibri, sans-serif;">CONVERSAS À VOLTA DA MESA <span style="color: grey;">TALKS AROUND THE TABLE</span><span style="color: #1f497d;"> </span>#1</span></b></div>
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<span style="color: #1f497d; font-family: Calibri, sans-serif; font-size: 10pt;">0</span><span style="font-family: Calibri, sans-serif; font-size: 10pt;">1 Abril <span style="color: #7f7f7f;">April </span>[Terça-feira <span style="color: #7f7f7f;">Tuesday</span> | 18h00 > 20h00<u></u><u></u></span></div>
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<span style="font-family: Calibri, sans-serif; font-size: 10pt;">Oradores <span style="color: #7f7f7f;">Speakers</span><u></u><u></u></span></div>
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<b><span style="font-family: Calibri, sans-serif; font-size: 10pt;">LUÍS SERPA<u></u><u></u></span></b></div>
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<span style="font-family: Calibri, sans-serif; font-size: 10pt;">Arte | Indústrias Culturais | Indústrias Criativas<u></u><u></u></span></div>
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<span style="color: #7f7f7f; font-family: Calibri, sans-serif; font-size: 10pt;">Art | Culture Industries | Creative Industries<u></u><u></u></span></div>
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<b><span style="font-family: Calibri, sans-serif; font-size: 10pt;">ANTÓNIO CERVEIRA PINTO<u></u><u></u></span></b></div>
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<span style="font-family: Calibri, sans-serif; font-size: 10pt;">Estratégia de Criatividade<u></u><u></u></span></div>
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<span style="color: #7f7f7f; font-family: Calibri, sans-serif; font-size: 10pt;">Creativity Strategy<u></u><u></u></span></div>
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<b><span style="font-family: Calibri, sans-serif; font-size: 10pt;">GASTÃO MARQUES<u></u><u></u></span></b></div>
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<span style="font-family: Calibri, sans-serif; font-size: 10pt;">Itinerários e Distritos Culturais<u></u><u></u></span></div>
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<span style="color: #7f7f7f; font-family: Calibri, sans-serif; font-size: 10pt;">Culture Itineraries and Districts<u></u><u></u></span></div>
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<span style="color: #999999; font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><b><span lang="EN-US">VORONOI</span></b><span lang="EN-US"> is a desk
designed by the architects <b>Jutta Rentsch</b> & <b>André Serpa</b> from
the <b>ja-project</b> studio based in Berlin. It is also a
mathematical algorithm, a random set of points in a plane that are all
contained in the same image, a special kind of decomposition of a given space.
Each table is thus a place and a workstation where the resident creators can
develop their own projects.</span><span lang="EN-US"><o:p></o:p></span></span></div>
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<span style="color: #999999; font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><span lang="EN-US">The <b>VORONOI</b> project
is a co-working space that supports self-employed, as well as groups of
emerging talents and creative businesses. Aims to bring together a spectrum of
self-employed workers, from a variety of creative disciplines in order to
develop entrepreneurship and innovation. We will provide a space and a team
specialized in management and production of projects to supervise all
stages of development, even those who were presented in the embryonic stage.</span><span lang="EN-US"><o:p></o:p></span></span></div>
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<span style="color: #999999; font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><b><span lang="EN-US">VORONOI</span></b><span lang="EN-US"> is a
Creative Particles Accelerator and also a “Virtual Enterprise”, able to respond
to various challenges of the New Economy of Culture.</span><span lang="EN-US"><o:p></o:p></span></span></div>
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<span style="color: #999999; font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><span lang="EN-US">An initiative by
Galeria Luis Serpa Project</span><span lang="EN-US">o</span><span lang="EN-US">s in partnership
with Aula do Risco, produced by O Museu Temporário and supported by
Induscria_Platform for </span><span lang="EN-US">the </span><span lang="EN-US">Creative
Industries.</span><span lang="EN-US"><o:p></o:p></span></span></div>
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<span style="color: #999999; font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><b><span lang="EN-US">TALKS AROUND THE
TABLE</span></b><span lang="EN-US"> are weekly meetings around transdisciplinary
themes on the areas of greatest interest to the creative industries:
Architecture, Visual Arts, Performing Arts & Entertainment, Film &
Video, Writing and Editing, Gastronomy, Fashion, Music, Publicity, Heritage, Educational
Software & Leisure. In addition to the special guests, speakers are
professionals and experts in key subjects for the development of creative
business, resident workers and the general public.<o:p></o:p></span></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><span style="color: #999999; font-size: x-small;"><span lang="EN-US">An initiative by
Galeria Luis Serpa Project</span><span lang="EN-US">o</span><span lang="EN-US">s in partnership
with Aula do Risco, produced by O Museu Temporário and supported by
Induscria_Platform for </span><span lang="EN-US">the </span><span lang="EN-US">Creative
Industries.</span></span><span lang="EN-US" style="color: #222222; font-size: x-small;"><o:p></o:p></span></span></div>
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<b><span style="font-size: 12pt;">INFORMAÇÕES ÚTEIS <span style="color: #7f7f7f;">USEFUL INFORMATIONS</span><u></u><u></u></span></b></div>
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<span style="font-size: 10pt;">HORÁRIO DA GALERIA <span style="color: #595959;">GALLERY HOURS</span><u></u><u></u></span></div>
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<span style="font-size: 10pt;">Das 15h00 às 19h00, excepto Sábados, Domingos e Feriados<u></u><u></u></span></div>
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<span lang="EN-US" style="color: #7f7f7f; font-size: 10pt;">From 3 to 7 p.m., except Saturday, Sunday and Holidays<u></u><u></u></span></div>
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<span style="font-size: 10pt;">TRANSPORTES <span style="color: #7f7f7f;">TRANSPORTS</span><u></u><u></u></span></div>
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<span style="font-size: 10pt;">Autocarro <span style="color: #7f7f7f;">Bus</span><u></u><u></u></span></div>
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<span style="font-size: 10pt;">Rato > 706, 709, 720, 727, 738, 758 e 773.<u></u><u></u></span></div>
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<span style="font-size: 10pt;">Rua da Escola Politécnica > 758 e 773.<u></u><u></u></span></div>
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<span style="font-size: 10pt;">Metro <span style="color: #7f7f7f;">Subway</span>: Rato [estação terminal] Linha Amarela.<u></u><u></u></span></div>
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<span style="font-size: 10pt;">PARQUE ESTACIONAMENTO <span style="color: #7f7f7f;">PARKING</span><u></u><u></u></span></div>
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<span style="font-size: 10pt;">Entrada pela Rua da Escola Politécnica, nº 231.<u></u><u></u></span></div>
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<span style="font-size: 10pt;">Saída pela Rua Tenente Raul Cascais.<u></u><u></u></span></div>
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<span style="font-size: 10pt;">Horário: Aberto 2ª, 07h30 > 22h00 | 3ª a 6ª, 07h30 > 02h00 | Sábados e Domingos, 11h00 > 02h00.<u></u><u></u></span></div>
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<span style="font-size: 10pt;">LOCAL <span style="color: #7f7f7f;">VENUE</span><u></u><u></u></span></div>
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<span style="font-size: 10pt;">GALERIA LUÍS SERPA PROJECTOS<u></u><u></u></span></div>
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<span style="font-size: 10pt;">Rua Tenente Raul Cascais, 1B, 1250-268 Lisboa, Portugal<u></u><u></u></span></div>
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<span style="font-size: 10pt;">Tel.: <a href="tel:%5B%2B351%5D%20213%20960%20548" style="color: #1155cc;" target="_blank" value="+351213960548">[+351] 213 960 548</a><u></u><u></u></span></div>
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<span style="font-size: 10pt;">Tlm.: <a href="tel:%5B%2B351%5D%20964%20028%20807" style="color: #1155cc;" target="_blank" value="+351964028807">[+351] 964 028 807</a><u></u><u></u></span></div>
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<span style="font-size: 10pt;"><a href="mailto:galerialuisserpaprojectos@gmail.com" style="color: #1155cc;" target="_blank">galerialuisserpaprojectos@<wbr></wbr>gmail.com</a><u></u><u></u></span></div>
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<span style="font-size: 10pt;"><a href="http://galerialuisserpaprojectos.blogspot.pt/" style="color: #1155cc;" target="_blank">galerialuisserpaprojectos.<wbr></wbr>blogspot.pt</a><span style="color: #1f497d;"><u></u><u></u></span></span></div>
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<span style="font-size: 10pt;"><a href="http://www.facebook.com/galerialuisserpaprojectos" style="color: #1155cc;" target="_blank">www.facebook.com/<wbr></wbr>galerialuisserpaprojectos</a></span></div>
</div>
GALERIA LUÍS SERPA PROJECTOShttp://www.blogger.com/profile/15270932187541643704noreply@blogger.comtag:blogger.com,1999:blog-4350472532952729577.post-49783658549154338212014-03-28T10:16:00.003-07:002014-04-02T08:45:06.538-07:00<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><b>VORONOI_</b> Acelerador de Partículas Criativas<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><b>VORONOI</b> é uma mesa de trabalho concebida pelos
arquitectos Jutta Rentsch & André Serpa do estúdio <b>ja-project</b> com
base em Berlim. É também, um algoritmo matemático, um conjunto aleatório de
pontos num plano em que todos estão contidos na mesma imagem, um tipo especial
de decomposição de um dado espaço<span lang="PT-BR">. Cada mesa é,
assim, um lugar e uma estação de trabalho onde criadores residentes podem
desenvolver os seus próprios projectos.</span><o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">O projecto VORONOI é um espaço de <i>co-working </i>que
apoia trabalhadores independentes, bem como grupos de talentos emergentes
e negócios criativos. Tem como objectivo reunir um espectro de diferentes
trabalhadores-por-conta-própria a partir de uma variedade de disciplinas
criativas, de modo a desenvolver o empreendedorismo e a inovação.
Disponibilizamos um espaço e uma equipa especializada em gestão e
produção de projectos para acompanhar todas as suas fases de desenvolvimento,
mesmo aqueles que forem apresentados ainda em fase embrionária. VORONOI é
um Acelerador de Partículas Criativas e, também, uma “Empresa Virtual”, capaz
de responder aos mais diversos desafios da Nova Economia da Cultura. </span><span style="font-family: 'Times New Roman', serif; font-size: 12pt;"><o:p></o:p></span></div>
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<b style="font-size: 12pt;"><span style="font-family: Calibri, sans-serif; font-size: 11pt;">CONVERSAS À VOLTA DA MESA <span style="color: grey;">TALKS AROUND THE TABLE</span></span></b></div>
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<span style="font-family: Calibri, sans-serif; font-size: 10pt;">1 Abril </span><span style="color: #7f7f7f; font-family: Calibri, sans-serif; font-size: 10pt;">April </span><span style="font-family: Calibri, sans-serif; font-size: 10pt;">[Terça-feira </span><span style="color: #7f7f7f; font-family: Calibri, sans-serif; font-size: 10pt;">Tuesday</span><span style="font-family: Calibri, sans-serif; font-size: 10pt;"> | 18h00 > 20h00</span></div>
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<span style="font-family: Calibri, sans-serif; font-size: 10pt;">Oradores </span><span style="color: #7f7f7f; font-family: Calibri, sans-serif; font-size: 10pt;">Speakers</span></div>
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<span style="font-family: Calibri, sans-serif; font-size: 10pt;">LUÍS SERPA<u></u><u></u></span></div>
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<span style="font-family: Calibri, sans-serif; font-size: 10pt;">Arte | Indústrias Culturais | Indústrias Criativas<u></u><u></u></span></div>
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<span style="color: #7f7f7f; font-family: Calibri, sans-serif; font-size: 10pt;">Art | Culture Industries | Creative Industries<u></u><u></u></span></div>
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<span style="font-family: Calibri, sans-serif; font-size: 10pt;">ANTÓNIO CERVEIRA PINTO<u></u><u></u></span></div>
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<span style="font-family: Calibri, sans-serif; font-size: 10pt;">Estratégia de Criatividade<u></u><u></u></span></div>
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<span style="color: #7f7f7f; font-family: Calibri, sans-serif; font-size: 10pt;">Creativity Strategy<u></u><u></u></span></div>
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<span style="font-family: Calibri, sans-serif; font-size: 10pt;">GASTÃO MARQUES<u></u><u></u></span></div>
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<span style="font-family: Calibri, sans-serif; font-size: 10pt;">Itinerários e Distritos Culturais<u></u><u></u></span></div>
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<span style="color: #7f7f7f; font-family: Calibri, sans-serif; font-size: 10pt;">Culture Itineraries and Districts<u></u><u></u></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><b>CONVERSAS À VOLTA DA MESA TALKS
AROUND THE TABLE</b> são
encontros semanais em redor de temas transdisciplinares sobre as áreas de maior
interesse para as indústrias criativas: Arquitectura, Artes Visuais, Artes Performativas
& Entretenimento, Cinema & Vídeo, Escrita e Edição, Gastronomia, Moda, Música,
Património, Publicidade, Software Educacional & Lazer. Além dos Convidados
Especiais, os oradores são profissionais e peritos em matérias fundamentais
para o desenvolvimento dos negócios criativos sendo dirigidas aos
trabalhadores-residentes e ao público em geral.<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">Uma iniciativa da Galeria Luís Serpa
Projectos em Parceria com a Aula do Risco, produzida pel’O Museu Temporário e o
apoio da Induscria_Plataforma para as Indústrias Criativas.<o:p></o:p></span></div>
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<span style="font-family: Calibri, sans-serif; font-size: 11pt;"><b>INFORMAÇÕES ÚTEIS </b></span><span style="color: #7f7f7f; font-family: Calibri, sans-serif; font-size: 11pt;">USEFUL INFORMATIONS</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">HORÁRIO <span style="color: #7f7f7f;">HOURS</span><u></u><u></u></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">Das 15h00 às 19h00, excepto Sábados, Domingos e Feriados<u></u><u></u></span></div>
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<span lang="EN-US" style="color: #7f7f7f; font-family: Arial, Helvetica, sans-serif; font-size: x-small;">From 3 to 7 p.m., except Saturday, Sunday and Holidays<u></u><u></u></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">TRANSPORTES <span style="color: #7f7f7f;">TRANSPORTS</span><u></u><u></u></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">Autocarro <span style="color: #7f7f7f;">Bus</span><u></u><u></u></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">Rato; 706, 709, 720, 727, 738, 758 e 773.<u></u><u></u></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">Rua da Escola Politécnica; 758 e 773.<u></u><u></u></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">Metro <span style="color: #7f7f7f;">Subway</span>: Rato [estação terminal] Linha Amarela.<u></u><u></u></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">PARQUE ESTACIONAMENTO <span style="color: #7f7f7f;">PARKING</span><u></u><u></u></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">Entrada pela Rua da Escola Politécnica, nº 231.<u></u><u></u></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">Saída pela Rua Tenente Raul Cascais.<u></u><u></u></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">Horário: Aberto 2ª, 07h30 > 22h00 | 3ª a 6ª, 07h30 > 02h00 | Sábados e Domingos, 11h00 > 02h00.<u></u><u></u></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">LOCAL <span style="color: #7f7f7f;">VENUE</span><u></u><u></u></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">GALERIA LUÍS SERPA PROJECTOS<u></u><u></u></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">Rua Tenente Raul Cascais, 1B, 1250-268 Lisboa, Portugal<u></u><u></u></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">Tel.: <a href="tel:%5B%2B351%5D%20213%20960%20548" style="color: #1155cc;" target="_blank" value="+351213960548">[+351] 213 960 548</a><u></u><u></u></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">Tlm.: <a href="tel:%5B%2B351%5D%20964%20028%20807" style="color: #1155cc;" target="_blank" value="+351964028807">[+351] 964 028 807</a><u></u><u></u></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><a href="mailto:galerialuisserpaprojectos@gmail.com" style="color: #1155cc;" target="_blank">galerialuisserpaprojectos@<wbr></wbr>gmail.com</a><u></u><u></u></span></div>
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<a href="http://galerialuisserpaprojectos.blogspot.pt/" style="color: #1155cc;" target="_blank"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">galerialuisserpaprojectos.<wbr></wbr>blogspot.pt</span></a><br />
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<!--[endif]--></span>GALERIA LUÍS SERPA PROJECTOShttp://www.blogger.com/profile/15270932187541643704noreply@blogger.comtag:blogger.com,1999:blog-4350472532952729577.post-82400378343359644002014-03-21T10:33:00.000-07:002014-03-23T17:26:06.927-07:00<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiW6UPrdsV0hXloGY4vah0881WDFZAZXSiqYaAN-cfYZwV9XgMwuiBoMS9b_az_Do380oPXKldbowuTCq8o6in0tCQWB2hanJG8EeTdJxdMVuu-wzT9W-_CdeI2FD1DZew2_ppRB-6OAaBo/s1600/VORONOI+_E-Flyer+3.tif" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em; text-align: justify;"><span style="background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiW6UPrdsV0hXloGY4vah0881WDFZAZXSiqYaAN-cfYZwV9XgMwuiBoMS9b_az_Do380oPXKldbowuTCq8o6in0tCQWB2hanJG8EeTdJxdMVuu-wzT9W-_CdeI2FD1DZew2_ppRB-6OAaBo/s1600/VORONOI+_E-Flyer+3.tif" height="225" width="400" /></span></a></div>
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<b style="background-color: white;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">Apresentação</span><span style="color: #666666; font-family: Arial, Helvetica, sans-serif; font-size: x-small;"> Presentation</span><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">: 01 Abril </span><span style="color: #7f7f7f; font-family: Arial, Helvetica, sans-serif; font-size: x-small;">March</span><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"> | Terça-Feira </span><span style="color: #7f7f7f; font-family: Arial, Helvetica, sans-serif; font-size: x-small;">Tuesday</span><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">, 18:00 > 20:00</span></b></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><b style="background-color: white;">Oradores <span style="color: #7f7f7f;">Speakers</span>: <span style="text-transform: uppercase;">LUÍS SERPA</span> | <span style="text-transform: uppercase;">ANTÓNIO CERVEIRA PINTO</span></b></span></div>
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<span style="background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: x-small;">O que é o VORONOI ?</span></div>
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<span style="background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: x-small;">VORONOI é um ambiente criativo que se assume como um acelerador de negócios culturais com o objectivo de potenciar a simbiose produtiva entre criação, novas tecnologias e conceitos avançados de gestão empresarial na nova economia da cultura. Tal como a cidade, onde coexistem e cooperam pessoas que falam mais de 50 idiomas, este projecto transdisciplinar é simultaneamente local e global, e pretende explorar o potencial das sinergias possíveis e desejáveis entre Lisboa - como uma plataforma transcultural para o século XXI e uma nova geografia cosmopolita - e outras cidades criativas, estabelecendo um elo internacional de forte coesão criativa.</span></div>
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<span style="background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: x-small;">VORONOI é, também, uma plataforma colaborativa que propõe novos conceitos para o mercado das indústrias criativas, reforçando o contributo destas para o emprego e o crescimento. É sua missão promover e divulgar talentos emergentes, incentivando a circulação e difusão das obras culturais dentro e fora do país, num intercâmbio que contribuía decisivamente para um programa de internacionalização.</span></div>
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<span style="background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><span style="color: #7f7f7f;">VORONOI </span><span style="color: #7f7f7f;">CREATIVE PARTICLES ACCELERATOR</span></span></div>
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<span style="color: #7f7f7f;"><span style="background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: x-small;">Transforming subjective energy into efficient generative processes</span></span></div>
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<span style="background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><span style="color: #7f7f7f;">VORONOI</span><span style="color: #7f7f7f;"> </span><span style="color: #7f7f7f;">is a creative structure that works as an accelerator of cultural businesses. The project aims to potentiate a productive symbiosis between artworks, new technologies and advanced concepts for strategic business management into a new economy of culture. Like the City, where speakers of more than 50 languages can coexist and cooperate, this transdisciplinary project is simultaneously local and global. The project intends to explore potential synergies between Lisbon - known as a transcultural platform for the XXI century and a new cosmopolite geography - and other creative cities, in order to establish an international link with strong creative cohesion. </span><span style="color: #7f7f7f;"><br /></span></span></div>
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<span style="color: #7f7f7f;"><span style="background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: x-small;">VORONOI is also a collaborative platform that comes up with new concepts for creative industries market. Streghthening its contribute for the employment and economic raise. It is its mission to promote and share emergent talents, encouraging the circulation and diffusion of artworks inside and outside the country, in an exchange that contributes undoubtedly for an international program.</span></span></div>
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<span style="background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: x-small;">INFORMAÇÕES ÚTEIS <span style="color: #7f7f7f;">USEFUL INFORMATIONS</span></span></div>
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<span style="background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: x-small;">HORÁRIO <span style="color: #7f7f7f;">HOURS</span></span></div>
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<span style="background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: x-small;">Das 15h00 às 19h00, excepto Sábados, Domingos e Feriados</span></div>
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<span lang="EN-US"><span style="background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: x-small;">From 3 to 7 p.m., except Saturday, Sunday and Holidays</span></span></div>
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<span style="background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: x-small;">TRANSPORTES <span style="color: #7f7f7f;">TRANSPORTS</span></span></div>
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<span style="background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: x-small;">Autocarro Bus</span></div>
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<span style="background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: x-small;">Rato > 706, 709, 720, 727, 738, 758 e 773.</span></div>
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<span style="background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: x-small;">Rua da Escola Politécnica > 758 e 773.</span></div>
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<span style="background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: x-small;">Metro: Rato [estação terminal] Linha Amarela.</span></div>
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<span style="background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: x-small;">PARQUE ESTACIONAMENTO <span style="color: #7f7f7f;">PARKING</span></span></div>
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<span style="background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: x-small;">Entrada pela Rua da Escola Politécnica, nº 231.</span></div>
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<span style="background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: x-small;">Saída pela Rua Tenente Raul Cascais.</span></div>
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<span style="background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: x-small;">Horário: Aberto 2ª, 07h30 > 22h00 | 3ª a 6ª, 07h30 > 02h00 | Sábados e Domingos, 11h00 > 02h00.</span></div>
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<span style="background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: x-small;">GALERIA LUÍS SERPA PROJECTOS</span></div>
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<span style="background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: x-small;">Rua Tenente Raul Cascais, 1B, 1250-268 Lisboa, Portugal</span></div>
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<span lang="EN-US"><span style="background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: x-small;">Tel.: <a href="https://www.blogger.com/null">[+351] 213 960 548</a></span></span></div>
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<span lang="EN-US"><span style="background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: x-small;">Tlm.: <a href="https://www.blogger.com/null">[+351] 964 028 807</a></span></span></div>
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<span style="background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: x-small;">E-mail: <a href="mailto:galerialuisserpaprojectos@gmail.com" style="color: #1155cc;" target="_blank">galerialuisserpaprojec<wbr></wbr>tos@gmail.com</a> | <a href="http://galerialuisserpaprojectos.blogspot.pt/" rel="nofollow" style="color: #1155cc;" target="_blank">http://galerialuisserpaprojectos.blogspot.pt</a> <wbr></wbr>| </span><br />
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GALERIA LUÍS SERPA PROJECTOShttp://www.blogger.com/profile/15270932187541643704noreply@blogger.comLisbon, Portugal38.7222524 -9.139336599999978738.7222524 -9.1393365999999787 38.7222524 -9.1393365999999787tag:blogger.com,1999:blog-4350472532952729577.post-6989000904064351632014-03-14T10:22:00.000-07:002014-03-23T10:24:52.188-07:00 Inauguração da exposição "E/O" de João Vilhena<br />
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<span style="font-family: Arial, Helvetica, sans-serif;">A exposição compõe-se de 32 fotomontagens digitais onde se mesclam retratos da pintura ocidental e o fenómeno explosivo dos “selfies”. </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">O título da exposição E/O (Eu/Outro) é um convite à arte neste tempo de pragas e misérias recorrente. </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Joao Vilhena é um dos mais importantes novos artistas plásticos deste século tendo um trabalho ímpar e inovador. </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Esta é a primeira exposição na Galeria Luís Serpa Projetos em 2014 e marca também a primeira a comemorar os 30 anos da Galeria.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">A exposição estará patente até dia 30 de abril.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Horário: Segunda a Sexta, das 15h às 19h.</span></div>
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<a href="https://picasaweb.google.com/117183923851200620757/InauguracaoDaExposicaoEODeJoaoVilhena?authuser=0&feat=directlink" rel="nofollow" target="_blank"><span style="font-family: Arial, Helvetica, sans-serif;">Clique aqui para ver as fotos</span></a>GALERIA LUÍS SERPA PROJECTOShttp://www.blogger.com/profile/15270932187541643704noreply@blogger.comLisbon, Portugal38.7222524 -9.139336599999978738.6231754 -9.3006980999999787 38.8213294 -8.9779750999999788tag:blogger.com,1999:blog-4350472532952729577.post-86927313274994938762014-02-20T08:04:00.002-08:002014-02-20T08:04:49.227-08:00GALERIA LUÍS SERPA PROJECTOS: E/O<div style="background-color: white; text-align: center;">
<span style="color: #333333; font-family: lucida grande, tahoma, verdana, arial, sans-serif; font-size: x-small;"><span style="line-height: 19.933334350585938px; white-space: pre-wrap;"><iframe allowfullscreen="" frameborder="0" height="281" mozallowfullscreen="" src="//player.vimeo.com/video/87137046" webkitallowfullscreen="" width="500"></iframe> <a href="http://vimeo.com/87137046">E/O</a> from <a href="http://vimeo.com/user23488346">Joao Vilhena</a> on <a href="https://vimeo.com/">Vimeo</a>.</span></span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;">Do ciclo de exposições comissariada por António Cerveira Pinto: «Olho por Olho, Mente por Mente».</span></div>
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<span style="color: #666666;"><span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;">From the curatorial project by Antonio Cerveira Pinto: «Eye for an Eye, Mind for a Mind»</span><span style="font-family: lucida grande, tahoma, verdana, arial, sans-serif; font-size: 13.333333969116211px;">.</span></span></div>
GALERIA LUÍS SERPA PROJECTOShttp://www.blogger.com/profile/15270932187541643704noreply@blogger.comtag:blogger.com,1999:blog-4350472532952729577.post-85520979985825887912014-02-18T11:03:00.004-08:002014-02-18T11:15:56.283-08:0030º ANIVERSÁRIO // 30th ANNIVERSARY<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNYOF63vSLT4oEKE7UHT6UugNwtEPa84bYD4yKFenXtDdgo0uVjFe6vz_WLMb_NDz0Un0SWkbjTZNo0bpKZtWeoWZDpxJoA_DjF2xziZRQa71uhLCIui80tjqNe7SC-oxrvjcjqrGS2SkC/s1600/1625635_698347880216422_825125332_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNYOF63vSLT4oEKE7UHT6UugNwtEPa84bYD4yKFenXtDdgo0uVjFe6vz_WLMb_NDz0Un0SWkbjTZNo0bpKZtWeoWZDpxJoA_DjF2xziZRQa71uhLCIui80tjqNe7SC-oxrvjcjqrGS2SkC/s1600/1625635_698347880216422_825125332_n.jpg" height="300" width="400" /></span></a></div>
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<span style="color: #333333; line-height: 18px; text-align: left;"><span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;">GALERIA LUÍS SERPA PROJECTOS celebra o seu 30º Aniversário em 2014</span></span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;">«No início de 1984 estreava, na Galeria Os Cómicos, o projecto Zoo&Lógica, nome que anunciava um espectáculo que haveria de constituir, pelas suas características específi<span class="text_exposed_show" style="display: inline;">cas, a primeira obra da “Nova Dança Portuguesa”. Zoo&Lógica constituiu o primeiro desvio radical na estética e nos moldes de realização dos espectáculos de dança em Portugal» [António Pinto Ribeiro, 1991].</span></span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;">«Inaugurada em 1984, na sequência da exposição Depois do Modernismo, a Galeria Cómicos, sob a orientação personalizada de Luís Serpa, tornar-se-ia quase imediatamente a galeria portuguesa mais característica da particular dinâmica artística dos anos 80 e também aquela que num muito curto espaço de tempo obteve um grau de reconhecimento e uma capacidade de afirmação internacional absolutamente único da história das galerias portuguesas» [Alexandre Melo, 1999].</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;">De acordo com Luís Serpa, os Cómicos percorreram «os territórios da pesquisa artística num intercâmbio de disciplinas que colocaram em crise as velhas fronteiras, desobedecendo ao imperativo bilhete-de-identidade/passaporte, etnia ou cidadania pré-adquiridas, proporcionando um intenso colóquio entre o imaginário e a fantasia, o quotidiano e o banal, numa tensão dialéctica entre as diversas experiências estéticas. Começava, assim, graças a uma qualquer máquina do tempo, uma viagem excitante que toca o passado e o futuro» [1984].</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;">As exposições que realizou são o reflexo do perfil que Luís Serpa manteve ao longo dos anos e que lhe permitiu estabelecer relações preferenciais com coleccionadores privados e públicos. Foi um agente cultural que liderou a mudança do cenário das artes visuais ao apresentar exposições de diversas disciplinas artísticas, tais como a pintura, a escultura, o design, a arquitectura e, principalmente, a fotografia e o vídeo.</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;">Em 2004, Luísa Soares de Oliveira afirma que «Serpa continua a desenvolver um conceito original de programação de exposições a que dificilmente chamaríamos galerístico. Com efeito, e apesar de tudo se passar no espaço comercial onde habitualmente pratica a sua actividade de galerista, cada exposição, individual ou colectiva, obedece a um conceito globalizante mais usual num bom museu do que num espaço deste género».</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;">Vocacionada desde o seu início para o intercâmbio com as suas congéneres estrangeiras, trouxe a Portugal alguns dos artistas mais significativos do panorama actual. Com os artistas nacionais, cumpriu a vocação de galeria dinâmica, divulgando e promovendo o seu trabalho principalmente no estrangeiro, através da participação em Feiras de Arte, de Madrid a Zurique e Basel ou de Tokyo e Yokohama, a Los Angeles e Chicago.</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;">Ao longo de trinta de actividade [1984_2014] apresentou 225 exposições na Galeria e produziu, em colaboração com O MUSEU TEMPORÁRIO e em cooperação com diversos Centros Culturais e Museus, 35 exposições individuais e temáticas, tendo participado em mais de 30 feiras de arte [Lisboa, Madrid, Londres, Basel, Zurique, Marselha, Yokohama, Tóquio, Los Angeles, Chicago].</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;">Granjeou prestígio internacional, tendo sido considerada uma das 200 Melhores Galerias do Mundo (in «The World’s 200 Best Contemporary Art Galleries», M.M. Editions, 1991, França).</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;">«Exposições temáticas onde surgem discursos cruzados, disciplinas interdependentes, gerações sobrepostas, obras complementares, passam a definir o perfil da Galeria que assim se aproxima de uma vontade de museografar a realidade e/ou de determinar um discurso crítico sobre ela como se de um verdadeiro embrião de museu se tratasse ou de um centro cultural» [João Pinharanda, 2004].</span></div>
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<span style="color: #666666;"><span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;">GALERIA LUÍS SERPA PROJECTOS celebrates its 30th Anniversary in 2014</span></span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;"><span style="color: #333333;">«</span><span style="color: #666666;">At the beginning of 1984, a project entitled Zoo&Lógica opened at Galeria Cómicos. Its very name announced a performance that, because of its specific characteristics, came to represent the first work of the new Portuguese dance. Zoo&Lógica was the first radical deviation from the established aesthetics and patterns of dance performances in Portugal» [António Pinto Ribeiro, 1991]. «Under the personalised leadership of Luís Serpa, Galeria Cómicos opened in 1984, springing from the After Modernism exhibition, and almost immediately became the Portuguese gallery that most clearly expressed the peculiar artistic dynamics of the 1980s, gaining a certain degree of recognition within a very short time and demonstrating a capacity for international affirmation, which made it quite unique in the history of Portuguese galleries» [Alexandre Melo, 1999].</span></span></div>
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<span style="color: #666666;"><span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;">«We will delve into the territories of artistic research in an interchange between those disciplines that have led to a crisis in the old frontiers, disobeying the established imperative of identity card/passport, previously acquired ethnic group or citizenship [...] and establishing an intense dialogue between the imaginary and the fantastic, the everyday and the banal, in a dialectic tension between different aesthetic experiences. In this way, thanks to some kind of time machine, there now begins an exciting voyage that touches upon both the past and the future. Let us therefore sit down and wait: we shall see paraded before us things, characters and situations» [Serpa, 1984].</span></span></div>
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<span style="color: #666666;"><span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;">The exhibitions that have been held at the gallery since then are a reflection of the profile that Luís Serpa has maintained over the years and which has enabled him to establish a preferential relationship with public and private collectors. In Portugal, too, Cómicos was a cultural agent that led the change taking place in the visual arts scene by presenting exhibitions from a variety of artistic disciplines, such as painting, sculpture, design, architecture and, above all, photography and video.</span></span></div>
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<span style="color: #666666;"><span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;">«Luís Serpa continues to develop an original concept for exhibition programmes that is quite untypical of a gallery. Indeed, despite the fact that everything takes place in the commercial space where he normally carries out his activity as a gallery owner, each group or solo exhibition is governed by a globalising concept that is more commonly found in a good museum than in a space of this kind» [Luísa Soares de Oliveira, 2004].</span></span></div>
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<span style="color: #666666;"><span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;">Demonstrating, from the outset, a vocation for fruitful exchanges with its foreign counterparts, the gallery has brought to Portugal some of the most significant contemporary artists. With Portuguese artists, it has fulfilled its role as a dynamic gallery, publicising and promoting their work mainly abroad, through participation in art fairs, from Madrid to Zurich and Basel, or from Tokyo and Yokohama to Los Angeles and Chicago.</span></span></div>
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<span style="color: #666666;"><span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;">During its thirty years of activity [1984_2014], the gallery has presented 225 exhibitions, and, in partnership with O MUSEU TEMPORÁRIO and with the cooperation of various Cultural Centres and Museums, it has produced 35 solo and thematic exhibitions, as well as participating in over 30 art fairs [Lisbon, Madrid, London, Basel, Zurich, Marseille, Yokohama, Tokyo, Los Angeles, Chicago].</span></span></div>
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<span style="color: #666666;"><span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;">The international prestige that it enjoys is demonstrated by its being considered one of the 200 Best Galleries in the world [in “The World’s 200 Best Contemporary Art Galleries”, M.M. Editions, 1991, France].</span></span></div>
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<span style="color: #666666;"><span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;">«Thematic exhibitions in which there are intersecting discourses, interdependent disciplines, overlapping generations and complementary works now define the gallery’s profile, which in this way brings it closer to the desire to museumise reality and/or to determine a critical discourse about it, as if it were a genuine embryo of a museum or a cultural centre» [João Pinharanda, 2004].</span></span></div>
GALERIA LUÍS SERPA PROJECTOShttp://www.blogger.com/profile/15270932187541643704noreply@blogger.comtag:blogger.com,1999:blog-4350472532952729577.post-87343181713424649132013-12-05T08:08:00.000-08:002014-02-18T11:15:21.502-08:00GALERIA LUÍS SERPA PROJECTOS & STOLEN BOOKS APRESENTAM // PRESENTS TOYZE RED LABEL<div style="text-align: center;">
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<span style="background-color: white; line-height: 15px;"><span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;">BOOK BOOK BOOK BOOK BOOK BOOK BOOK BOOK BOOK BOOK BOOK BOOK BOOK BOOK BOOK BOOK</span></span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;">270x180 mm<br />64 pages, <i style="border: 0px; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">Risograph</i> (2 colors) printed in <i style="border: 0px; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">Munken Lynx 90 gr</i></span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;">soft cover <i style="border: 0px; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">Risograph </i>(1 color) printed in <i style="border: 0px; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">Pop Set</i> paper<br /><br />All books are numbered<br />Limited edition of 50 books</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;">€30</span></div>
GALERIA LUÍS SERPA PROJECTOShttp://www.blogger.com/profile/15270932187541643704noreply@blogger.comtag:blogger.com,1999:blog-4350472532952729577.post-26544934442361419422013-12-02T10:11:00.002-08:002014-02-18T11:15:09.429-08:00TOYZE | CONVERSAS À VOLTA DA MESA // TALKS AROUND THE TABLE<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;"> TALK TALK TALK TALK TALK TALK TALK TALK TALK TALK TALK TALK TALK </span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;">03 Dez '13, 18h30</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;">Galeria Luís Serpa Projectos</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;">Toyze | António Cerveira Pinto | Luís Serpa</span></div>
GALERIA LUÍS SERPA PROJECTOShttp://www.blogger.com/profile/15270932187541643704noreply@blogger.comtag:blogger.com,1999:blog-4350472532952729577.post-22248837126545478762013-11-27T05:51:00.001-08:002014-02-18T11:14:58.215-08:00TOYZE | INAUGURAÇÃO // FRANCISCO BARAHONA<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjA04Jb98zLkMVqkWQ0z6CPcLom7oWwIJroUYBy14yQYc6O-8KeMU3WX1maMHb3o95x1zjfruZ0BFDRVOSriViaC0pczISMp8EaiApepp4IEF54kyk8OUqIyiQibXK7W0pHok0ZadyOGaAl/s1600/946031_512268232192315_1974604171_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjA04Jb98zLkMVqkWQ0z6CPcLom7oWwIJroUYBy14yQYc6O-8KeMU3WX1maMHb3o95x1zjfruZ0BFDRVOSriViaC0pczISMp8EaiApepp4IEF54kyk8OUqIyiQibXK7W0pHok0ZadyOGaAl/s400/946031_512268232192315_1974604171_n.jpg" height="243" width="400" /></span></a></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;">MÚSICA MÚSICA MÚSICA MÚSICA MÚSICA MÚSICA MÚSICA MÚSICA </span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;">Na inauguração da próxima exposição, 21 Nov 13, no âmbito do Ciclo de Exposições e Conversas à Volta da Mesa, apresentada por António Cerveira Pinto na Galeria LUÍS SERPA Projectos, vamos contar com Francisco Barahona, que está a frequentar o terceiro ano da Licenciatura em Escultura na Faculdade de Belas Artes da Universidade de Lisboa. É produtor e dj e lançou há pouco tempo um EP na <i>Golden Mist Records</i>, sendo que marcará presença já na próxima quinta-feira, 14 Nov 13, com o projecto FRESKO, no Musicbox Lisboa.</span></div>
GALERIA LUÍS SERPA PROJECTOShttp://www.blogger.com/profile/15270932187541643704noreply@blogger.comtag:blogger.com,1999:blog-4350472532952729577.post-78050987861449123582013-11-27T05:50:00.004-08:002014-02-18T11:14:45.585-08:00TOYZE | E-FLYER<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;">E-FLYER E-FLYER E-FLYER E-FLYER E-FLYER E-FLYER E-FLYER E-FLYER </span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;">POR // BY IVO PASSOS</span></div>
GALERIA LUÍS SERPA PROJECTOShttp://www.blogger.com/profile/15270932187541643704noreply@blogger.comtag:blogger.com,1999:blog-4350472532952729577.post-16528748632714347062013-11-27T05:49:00.002-08:002014-02-18T11:14:29.520-08:00TOYZE | RI-TE! A SMILE A DAY! | INAUGURAÇÃO // OPENING 21 NOVEMBRO // NOVEMBER<div class="separator" style="background-color: white; clear: both; line-height: 15px; text-align: center;">
<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;">GALERIA LUÍS SERPA PROJECTOS</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;">INAUGURAÇÃO 21 DE NOVEMBRO // NOVEMBER</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;">18H00 > 21H00</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;">SNEAK PEEK SNEAK PEEK SNEAK PEEK SNEAK PEEK SNEAK PEEK SNEAK PEEK SNEAK PEEK </span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small; line-height: 16px;">Ciclo de Exposições e Conversas à Volta da Mesa</span><br />
<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;"><span style="line-height: 16px;">Apresentado por António Cerveira Pinto</span><span style="line-height: 16px;"> </span></span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small; line-height: 16px;">Quase uma década e meia dentro do século 21, e trinta anos depois de ter organizado a exposição e os eventos de <i>Depois do Modernismo</i> (Lisboa, 1983), com Luís Serpa, Michel-Toussaint Alves Pereira, Ricardo Pais, Ribeiro da Fonte e tantos outros, a minha reflexão tem rondado a pergunta que então se fez: “Acabaram ou não as dicotomias felizes?”. “Acabou ou não o moderno e o modernismo?”. É evidente que acabaram! E acabou t<span class="text_exposed_show" style="display: inline;">ambém o tempo passageiro e superficial do pós-modernismo. Hoje, vivemos já aquilo que, lembrando Lyotard, diria ser uma condição pós-contemporânea. Com sorte, será o princípio de um novo renascimento, cujos contornos, porém, são ainda ténues. Para desenvolver alguma fenomenologia em volta desta intuição, resolvi iniciar um ciclo de exposições, textos e debates sobre esta suposta condição pós-contemporânea, através de alguns artistas e obras que melhor poderão ajudar-me a perceber o que se passa. Miguel Palma é naturalmente a escolha certa para iniciar esta “investigação”. </span>TOYZE é a minha escolha para a segunda exposição desta minha ‘investigação’ sobre o fim do século vinte e o princípio do século vinte e um.</span></div>
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<span style="line-height: 16px;"><span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;">[António Cerveira Pinto, Setembro 2013]</span></span></div>
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<span style="color: #444444; font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small; line-height: 16px;">Exhibition Cicle and Talks Around the Table</span><br />
<span style="line-height: 16px;"><span style="color: #666666; font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;">Presented by António Cerveira Pinto</span></span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;"><span style="color: #666666;"><span style="line-height: 16px;">Almost a decade and a half into the 21st century, and thirty years after I organized the After Modernism (Lisbon, 1983) exhibition and events, with Luís Serpa, Michel Toussaint Alves-Pereira, Ricardo Pais, Ribeiro da Fonte and many others, my reflection became about the questions: “Are the happy dichotomies ended or not?”, and “Is modern and modernism over or not?”. It is clearly over! And also the ephemeral time and superficial post-modernism! Today we live in what we would call, remembering Lyotard, a post-modern condition. With luck, it will be the beginning of a new renaissance, whose outlines, however, are still tenuous. To develop some intuition phenomenology around this, I decided to start a series of exhibitions, publications and debates about this supposed post-modern condition, through some artists and works that may help us to understand what is happening. Miguel Palma is naturally the right choice to start this “research”. </span><span lang="EN-US">TOYZE is my second choice for this art ‘investigation’ on late 20th century and the beginning of 21st era.</span><span style="line-height: 16px;"><br /></span></span><span style="color: #666666;"><span style="line-height: 16px;">[António Cerveira Pinto, Setembro 2013]</span><span lang="EN-US"> </span></span></span></div>
GALERIA LUÍS SERPA PROJECTOShttp://www.blogger.com/profile/15270932187541643704noreply@blogger.comtag:blogger.com,1999:blog-4350472532952729577.post-5958568325287434542013-11-27T05:47:00.003-08:002014-02-18T11:14:01.904-08:00STOLEN BOOKS APRESENTA // PRESENTS GREY MATTER POR // BY MIGUEL PALMA<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRIIUNnUpXyFhZRjAwxR9Q0mfvXVjj3uIBXR1jLUV624NhWkXYLqkDTojDV4q_1kWM4GBFDRx6AQCyqCoZAUnTpE0i-lLjfdG4eFSkNHtsPaYauITIk77PqSVo3BW7_qroGWI-Biw2bQaH/s1600/561620_10201635843211380_1612006926_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRIIUNnUpXyFhZRjAwxR9Q0mfvXVjj3uIBXR1jLUV624NhWkXYLqkDTojDV4q_1kWM4GBFDRx6AQCyqCoZAUnTpE0i-lLjfdG4eFSkNHtsPaYauITIk77PqSVo3BW7_qroGWI-Biw2bQaH/s400/561620_10201635843211380_1612006926_n.jpg" height="400" width="400" /></span></a></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;">BOOK BOOK BOOK BOOK BOOK BOOK BOOK BOOK BOOK BOOK BOOK BOOK BOOK BOOK BOOK BOOK</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small; line-height: 18px; text-align: left;">Limited edition of 200 books</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;"><span style="line-height: 18px; text-align: left;">All books are numbered and signed by the artist</span><span class="text_exposed_show" style="display: inline; line-height: 18px; text-align: left;"><br />270x180 mm, 56 pages, printed in creator volume paper 150 gr , G</span><span style="line-height: 18px; text-align: left;">eltex hard cover</span></span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small; line-height: 17.98611068725586px; text-align: left;">€30</span></div>
GALERIA LUÍS SERPA PROJECTOShttp://www.blogger.com/profile/15270932187541643704noreply@blogger.comtag:blogger.com,1999:blog-4350472532952729577.post-49726225719021988912013-11-27T05:45:00.003-08:002014-02-18T11:13:46.443-08:00MIGUEL PALMA | GREY MATTER<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZ017TrztDVFeq7b406BJ2kkcblA9k5LEF84T8R5BH_cxQeN3jVc1dPN96szhdI5rciY4a-Ece-kUU-_ZKBjzmsfGap45RAGz9lZAUrJzPFk7pUiqHMb-9vseA4WteqSUXwd786Pu5GQvS/s1600/1395923_624601554257722_1626896531_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZ017TrztDVFeq7b406BJ2kkcblA9k5LEF84T8R5BH_cxQeN3jVc1dPN96szhdI5rciY4a-Ece-kUU-_ZKBjzmsfGap45RAGz9lZAUrJzPFk7pUiqHMb-9vseA4WteqSUXwd786Pu5GQvS/s400/1395923_624601554257722_1626896531_n.jpg" height="283" width="400" /></span></a></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: xx-small; line-height: 16px;">Ciclo de Exposições e Conversas à Volta da Mesa</span></div>
<div style="background-color: white; font-size: 11px; line-height: 15px; text-align: justify;">
<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: xx-small; line-height: 16px;">Apresentado por António Cerveira Pinto </span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><span style="font-size: xx-small; line-height: 16px;">Quase uma década e meia dentro do século 21, e trinta anos depois de ter organizado a exposição e os eventos de <i>Depois do Modernismo</i> (Lisboa, 1983), com Luís Serpa, Michel-Toussaint Alves Pereira, Ricardo Pais, Ribeiro da Fonte e tantos outros, a minha reflexão tem rondado a pergunta que então se fez: “Acabaram ou não as dicotomias felizes?”. “Acabou ou não o moderno e o modernismo?”. É evidente que acabaram! E acabou t<span class="text_exposed_show" style="display: inline;">ambém o tempo passageiro e superficial do pós-modernismo. Hoje, vivemos já aquilo que, lembrando Lyotard, diria ser uma condição pós-contemporânea. Com sorte, será o princípio de um novo renascimento, cujos contornos, porém, são ainda ténues. Para desenvolver alguma fenomenologia em volta desta intuição, resolvi iniciar um ciclo de exposições, textos e debates sobre esta suposta condição pós-contemporânea, através de alguns artistas e obras que melhor poderão ajudar-me a perceber o que se passa. Miguel Palma é naturalmente a escolha certa para iniciar esta “investigação”.</span></span><span style="font-size: xx-small; line-height: 16px; text-align: start;"> </span></span></div>
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<span class="text_exposed_show" style="display: inline;"><span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: xx-small;">[António Cerveira Pinto, Setembro 2013]</span></span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><span style="color: #666666;"><span style="font-size: xx-small; line-height: 16px;">Almost a decade and a half into the 21st century, and thirty years after I organized the After Modernism (Lisbon, 1983) exhibition and events, with Luís Serpa, Michel Toussaint Alves-Pereira, Ricardo Pais, Ribeiro da Fonte and many others, my reflection became about the questions: “Are the happy dichotomies ended or not?”, and “Is modern and modernism over or not?”. It is clearly over! And also the ephemeral time and superficial post-modernism! Today we live in what we would call, remembering Lyotard, a post-modern condition. With luck, it will be the beginning of a new renaissance, whose outlines, however, are still tenuous. To develop some intuition phenomenology around this, I decided to start a series of exhibitions, publications and debates about this supposed post-modern condition, through some artists and works that may help us to understand what is happening. Miguel Palma is naturally the right choice to start this “research”.</span><span style="font-size: xx-small;"><br /></span></span><span style="color: #666666; font-size: xx-small;">[António Cerveira Pinto, Setembro 2013]</span></span></div>
GALERIA LUÍS SERPA PROJECTOShttp://www.blogger.com/profile/15270932187541643704noreply@blogger.comtag:blogger.com,1999:blog-4350472532952729577.post-41603924554441592232011-01-11T07:39:00.000-08:002014-02-18T11:05:46.592-08:00CONVERSAS À VOLTA DA MESA // TALKS AROUND THE TABLE DESERT SHUTTLE COM // WITH MIGUEL PALMA<div align="justify">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYnVfZb4zxesQzoTW4iv5j2YbA0SH8UK5q-uos1xCrGlNA1zHpQmBWIVz4p3JXJTWbSrbSmsxBuLL2_9lhlZzaSHG6wDxOLrLJ5_-wXYVhI-UHc6fOyeitlIYuq-SHbCCmU6emuaqONRfa/s1600/desert+shuttle+Miguel+Palmaeflyesmall.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYnVfZb4zxesQzoTW4iv5j2YbA0SH8UK5q-uos1xCrGlNA1zHpQmBWIVz4p3JXJTWbSrbSmsxBuLL2_9lhlZzaSHG6wDxOLrLJ5_-wXYVhI-UHc6fOyeitlIYuq-SHbCCmU6emuaqONRfa/s1600/desert+shuttle+Miguel+Palmaeflyesmall.jpg" height="255" width="400" /></span></a></div>
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<strong><span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;">DESERT SHUTTLE_MIGUEL PALMA</span></strong></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;">18 Jan '11 19h00 > 21h00</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;">Galeria Luís Serpa Projectos</span><br />
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;">Desert Shuttle de Miguel Palma, um trabalho resultante da sua residência artística em Phoenix, no estado norte-americano do Arizona.</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;">Sinopse</span><br />
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;">«Saio de manhã da cidade e passo o dia no deserto. Guio um tanque que em vez disparar, grava vídeo. No fim do dia e durante a noite, o veículo projecta o deserto à cidade dá-se uma miragem no interior da metrópole.»</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;">Este encontro é organizado no âmbito da exposição dos arquitectos Jutta Rentsch e André Serpa do JA-PROJECT, um escritório de Arquitectura e Design recentemente criado em Lisboa, mas trabalhando a nível global, que se pretende assumir como um lugar de reflexão permanente sobre a criação contemporânea em todas as áreas das Indústrias Criativas.</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;">Como uma Plataforma Colaborativa, o Projecto Voronoi de JA-PROJECT é uma mesa baseada no algoritmo com o mesmo nome, assumindo diversas configurações que permitem a dua utilização de forma distinta. Usada de forma colectiva ou individual, tem proporcionado o acolhimento de diversos criadores que encontram neste espaço de galeria/escritório, um ambiente propício ao desenvolvimento de projectos transdisciplinares.</span></div>
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GALERIA LUÍS SERPA PROJECTOShttp://www.blogger.com/profile/15270932187541643704noreply@blogger.comtag:blogger.com,1999:blog-4350472532952729577.post-33096849088484964912010-12-03T07:53:00.000-08:002014-02-18T11:06:16.913-08:00CONVERSAS À VOLTA DA MESA // TALKS AROUND THE TABLE COM // WITH DANIEL BLAUFUKS, MARGARIDA MEDEIROS & HELENA VASCONCELOS<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;"><br />CONVERSAS À VOLTA DA MESA // TALKS AROUND THE TABLE</span><br />
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;">"Collected [Short] Stories sobre a obra de Saul Bellow & Daniel Blaufuks" é o título de mais uma das Conversas à Volta da Mesa que integra a programação da Galeria Luís Serpa Projectos de Set '10 a Jun '11. </span><br />
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;">Organizadas no âmbito da exposição dos arquitectos Jutta Rentsch & André Serpa do JA-PROJECT, um escritório de Arquitectura e Design recentemente criado em Lisboa, mas trabalhando a nívle global, que pretende assumir-se como um lugar de reflexão permanente sobre a criação contemporânea em todas as áreas das Indústrias Criativas. Como uma Plataforma Colaborativa, o Voronoi de JA-PROJECT é uma mesa baseada no algoritmo com o mesmo nome, assumindo diversas confirgurações que permitem a sua utilização de forma distinta. Usada de forma colectiva ou individual, tem proporcionado o acolhimento de diversos criadores que encontram neste espaço de galeria/escritório, um ambiente propício ao desenvolvimento de projectos transdisciplinares.</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;">À Volta da Mesa estarão Helena Vasconcelos e Margarida Medeiros, que debruçam-se sobre a obra de Saul Bellow e Daniel Blaufuks, respectivamente. A conversa será moderada por Luís Serpa, dia 14 de Dez '10, Terça-feira, das 19h00 às 21h00.</span><br />
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;">Saul Bellow, prémio Pulitzer e Nobel da Literatura em 1976, é um dos mais aclamados escritores de ficção norte-americana, cujo trabalho soube muito bem expressar a ascensão dos judeus imigrantes a lugares de poder e soberania na América contemporânea, bem como a sua angústia moral sobre os sobreviventes do Holocausto em livros como "Mr. Sammler's Planet". Nas suas <em>COLLECTED STORIES </em>demonstra igualmente um talento habilidoso em escrever pequenas, mas envolventes narrativas, que de uma forma humorística, mas graciosa, exploram temas familiares, desejos e memórias, traçando um retrato sensível da natureza humana. Esta colecção de treze contos apela a todos os que já são familiares da sua escrita, bem como aos que nela se iniciaram.</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;">Daniel Blaufuks utiliza no seu trabalho a fotografia e o vídeo, apresentando o resultado através de livros, instalações e filmes. Os seus temas preferidos são a ligação entre o tempo e o espaço e a representação da memória privada e pública. Em COLLECTED SHORT STORIES o autor esclarece que estas histórias curtas foram escritas em oito países, entre 2000 e 2002. São histórias visuais que abordam o tema da viagem e a fotografia em itinerância e um outro tema transversal na sua obra: a condição de exílio. A fuga dos seus avós da Alemanha nazi para Portugal mistura-se com experiências de exílio sugeridas pela admiração por fotógrafos como Robert Frank ou pela memória literária de autores como Paul Bowles, Joseph Conrad e Graham Greene. Estas trinta e uma histórias revelam Daniel Blaufuks nas suas várias tonalidades contrastantes, ora cínico e acutilante, ora introspectivo e filosófico.</span></div>
GALERIA LUÍS SERPA PROJECTOShttp://www.blogger.com/profile/15270932187541643704noreply@blogger.comtag:blogger.com,1999:blog-4350472532952729577.post-76329919070189435122010-11-15T11:13:00.002-08:002014-02-18T11:06:46.344-08:00PLATAFORMAS COLABORATIVAS E REDES INFORMAIS<div class="separator" style="clear: both; text-align: center;">
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<strong>Plataformas Colaborativas e Redes Informais</strong></span><br />
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;">Há um livro cuja leitura recomendo a toda gente antes de conversar sobre o futuro mais provável das sociedades humanas. Chama-se The End of Work, e foi escrito pelo economista Jeremy Rifkin, consultor de vários governos, entre os quais se conta o de José Sócrates. No essencial, este livro diz-nos que há um afastamento crescente entre o crescimento populacional e o número de pessoas necessárias a produzir tudo aquilo que consumimos e usamos. Ou seja, que a falta de empregos e o desemprego não só se tornaram variáveis estruturais e permanentes das sociedades tecnológicas globalizadas, como tende a aumentar em todo o mundo (China, Índia e Brasil incluídos) com consequências sociais potencialmente catastróficas, se entretanto as mesmas sociedades não souberem redesenhar os seus modos de vida.</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;">Uma das respostas possíveis a esta tendência estrutural da sociedade global é a criação de um rendimento social universal, isto é, garantir a alimentação, abrigo e mobilidade a toda e qualquer pessoa do planeta, independentemente da sua idade, sexo, grau de instrução, ocupação e rendimento.</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;">Outra das alternativas sugeridas passa pela criação de um vasto sector de economia social, baseado em redes colaborativas, locais e glocais, onde seja possível a troca directa de tempo por bens e serviços sem que tal implique necessariamente uma qualquer relação de exploração, ou acumulação capitalista (lucro).</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;">Na realidade, estão já em marcha há alguns anos experiências sociais que envolvem formatos mais ou menos mitigados das suas duas alternativas mencionadas. Os regimes de voluntariado, os programas de responsabilidades social crescentemente adoptados pelas grandes empresas industriais e sobretudo financeiras, ou a criação local de moedas complementares, bancos de horas, instituições sociais de micro-crédito, clubes de trocas, etc. Falta, porém, uma teoria unificadora desta economia adaptativas em formação, sobretudo falta uma teoria construtiva capaz de lançar as bases universais de uma economia solidária tecnologicamente avançada e competitiva relativamente aos modelos falidos do Capitalismo especulativo, insensível e, em última análise, auto-destrutivo.</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;">Os economistas tradicionais levaram demasiado tempo a perceber que o Capitalismo, insaciável na sua busca de mais-valias, acabaria por levar as sociedades ocidentais à beira do precipício económico, financeiro e sobretudo social. Só depois da queda estrondosa do Lehman Brothers, a maioria deles começou finalmente a duvidar da solidez do sistema financeiro ocidental. Em Portugal, o reconhecimento da crise, do estado lamentável da banca portuguesa, e sobretudo do gravíssimos problemas do nosso endividamento público e privado, foi criminosamente tardio. Boa parte dos portugueses acabaria por ser apanhada totalmente desprevenida. </span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;">A situação actual, vista da perspectiva cultural, que é a minha, implica uma mudança profunda dos modelos de criação, produção, consumo e usufruto culturais.</span><br />
<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;">Implica, desde logo, que na reordenação radical que se impõe nas prioridades orçamentais do Estado, o sector cultural e criativo, ganhe claramente um outro protagonismo. A percentagem do Orçamento de Estado afecto à Cultura deveria subir imediatamente a 0,5% do PIB e caminhar na próxima década até aos 1%, obtendo boa parte das verbas necessárias a partir de uma racionalidade exigente noutros domínios orçamentais. Mas um tal incremento radical de meios não seria para manter o actual estado de coisas nos donínios cultural e religioso. Muito pelo contrário, a condição de aceitação social de uma aposta nova e radical nos sectores subjectivos da sociedade é a refundação dos seus próprios pressupostos e objectivos. E é aqui que a definição e estruturação das plataformas colaborativas e das redes informais tecnlogicamente assistidas viria a fazer toda a diferença. [António Cerveira Pinto]</span></div>
GALERIA LUÍS SERPA PROJECTOShttp://www.blogger.com/profile/15270932187541643704noreply@blogger.com